Join us for HIGH TEA

Saturday, 26th November at the District Six Museum Homecoming Centre located at 15 Buitenkant Street, Cape Town – for directions follow the following link:


RSVP: (for catering purposes)

A PRESS LAUNCH was held on Thursday, 17 NOVEMBER 2016

As we commemorate the 50th year since the declaration of District Six as a White Group Area in 1966, we also celebrate the launch of the District Six Museum’s Huis Kombuis Food and Memory Cookbook, a fitting tribute to the rich legacy of District Six. The launch marks an important moment for the Museum and those District Sixers who have contributed to making this recipe book over ten years. Replete with storytelling, craft and recipes, the book places a spotlight on the stories of ex-residents from the District and how food was often the connecting element between families and communities forcibly removed from District Six.

“The title, Huis Kombuis (directly translated from Afrikaans, means ’home kitchen’), was inspired by descriptions of kitchens in participants’ homes as being the heart of the home, its central social space. Here traditional recipes were brought to life in the rituals of cooking, eating and the sensory exchange at the kitchen table. Culinary rituals and home craft practices maintained and reinforced deep significances and connections with District Six as a place of home, family and community.”

Tina Smith, Curator, District Six Museum

The project participants – women and men from District Six – presented tasters of the recipes featured in the book.

Please contact Tina Smith for more information on the project: or 021 466 7200.

The book sells for R385 and is available at main bookstores and also at the Museum’s book shop.

To order books during the launch week at the special price of R285:


Welcome: Chrischené Julius  (Acting Director)

Guest Speaker: Nombulelo Mkefa, ex-Trustee of the District Six Museum

Project Introduction: Tina Smith (District Six Museum Curator )

Q & A: Panel discussion with participants

Signing of books




Huis Kombuis Food and Memory Cookbook

Publisher: District Six Museum and Quivertree Publishers

This is not a conventional cookbook. Rather, it is a story about food that is deeply rooted in the cultural practice and heritage that exists in the fragile memories of those who were forcibly displaced.

The recipes and biographies in the book comprise facets of a collective memory of District Six that unlock complex narratives about family histories and cultural life in the District. For many, the story of food is inseparable from the spirit of place and a sense of belonging.

Stories shared during the group and individual oral history research processes were arranged into themes, threading together stories relating to duties in the kitchen, rituals of daily life, a weekly menu, urban food foraging, shopping, Sunday family meals and festive dishes during Christmas, Labarang, Easter and New Year celebrations. These themes inspired the various chapters outlined in the book. There were many stories highlighting the importance of trust, respect and tolerance. Kanala, a word embodying a spirit of sharing and helping one another, gave expression to the spirit that characterised a close-knit community, its survival, resilience and humour. Storytellers remembered how their mothers and grandmothers cobbled together a living through home industries or working ‘in service’. Cooking, baking, sewing and mending skills were honed during these everyday domestic practices, and became a valuable resource as they re-imagined the ‘ordinary’ in District Six.

These valued memories and traditions served as inspiration for drawing, painting, creative writing and remembrances of traditional dishes such as bobotie, tripe and trotters, crayfish curry, smoorsnoek and cabbage bredie, oumens onder die kombers, doek poeding, pickled fish and many more. The hand-crafted recipe cloths featured in the book are creative expressions of an oral tradition that has been passed on and therefore may not always reflect accurate measurements or methods, which makes them unique pieces of memory work.

Stitching these fragile pieces of the past together has opened up fresh possibilities for making new layers of memories. These recipes carry collective memories. In the physical absence of District Six, through memories of time, space and movement, this reawakening of the participants’ sensory experiences has given weight to an emptiness that was once unfathomable. We are shown the richness of this abundant knowledge by a textural emporium of maps, stories, archival material, family photographs, anecdotes, recipes and hand-stitchery.

The emphasis of the cookbook is not on what was lost but rather on affirming rich, diverse cultural values that have kept the memory of District Six relevant. Through remembering and reviving these traditional cuisines we celebrate the lessons of solidarity and share a part of humanity that gave District Six its unique spirit of place.




Legendary Cape Town composer and jazz pianist, formerly known as Chris Schilder, will perform at the District Six Museum Homecoming Centre featuring BUDDY WELLS on soprano and tenor sax; LIONEL BEUKES on bass; and LIAM WEBB on Drums.

FRIDAY, 27th MAY 2016 @ 8pm

D6M Homecoming Centre, 15 Buitenkant Street, Cape Town

Cost: R120 (all early bird tickets are bought)

For more information and reservations contact Mirza Parker: +27764157244


Saturday, 29 AUGUST 2015

District Six Museum Homecoming Centre

15 Buitenkant Street, Cape Town

13h30 – 15h30

You are invited to join us in honouring the women of the 1980s with the launch of the book,   ‘SOUTH  AFRICAN WOMEN’S APARTHEID AND POST-APARTHEID STRUGGLES: 1980-2014′ by Gertrude Fester

KEYNOTE SPEAKER: Former Constitutional Court Judge, ALBIE SACHS

For further information and to be invited to the book launch, please email: / 


TITLE: South African Women’s Apartheid and Post-Apartheid Struggles: 1980-2014

PUBLISHER: Scholars’ Press, Saarbrücken, 2015.

WRITER: Gertrude Fester

ISBN 978-3-639-51082-9

The first section examines grassroots women’s non-racial political activism (Western Cape) during the 1980-1994 phase to achieve citizenship. This is captured through analysing the United Women’s Organisation, UWO (1981-1986), United Women’s Congress (1986-1990) and Federation of South African Women (Western Cape, 1987-1990). These organisations had more than 6000 members at any one time. Despite apartheid, membership  ranged from Gardens to Guguletu, Manenberg to Macassar. Members were  domestic workers, students, housewives, university lecturers, professors, lawyers, factory workers, etc. The UWO was central to the formation of the United Democratic Front (UDF) and for the first few months of its existence here, the UDF used the UWO’s Mowbray offices.

Through tracing the history of women’s political agency and resistance, this study argues that women profoundly contributed to the New SA. Motherhood was the legitimate space granted to them by liberation movements but women transformed motherhood into empowering public roles, affirming demands for citizenship. These aforementioned ANC-supporting structures later broadened out into strategic alliances in order to  maximize women’s intervention as negotiations loomed. This illustrates the shifting nature of women’s resistance, what forms they took and how they pragmatically and strategically changed over time. Subsequently the Women’s Alliance was formed and thereafter an even broader structure, the Women’s National Coalition.

This narrative of women’s struggles asserts that despite patriarchy relegating women’s issues as secondary, women’s focussed struggles united diverse women to effective intervention. This culminated in the gender-sensitive constitution.

A secondary focus examines transition from apartheid to  ‘women-friendly’ SA. By comparing the demands of The Women’s Charter for Effective Equality (1994) with the 1994-2014 reality of women and by analysing what women themselves state (200 interviews), women’s citizenship is assessed.

The penultimate chapter outlines progress of 20 years of freedom. Many critical challenges remain. The question, within this context, asks whether women in government have contributed to radical transformation of women’s lives.

This study concludes that the achievement of feminist citizenship is uneven. Despite the impressive constitution, the sporadic implementation of gender-sensitive policies, poverty, high levels of violence against women and children and the negative impact of culture and religion are some of the obstacles to women’s comprehensive citizenship. The above is all told from an ‘insider-outsider’ perspective as Gertrude was a leader in all the above struggles.


‘I commend Professor Gertrude Fester’s book to all feminists and human rights activists around the world who are interested in the struggle of women in Africa for human rights. Gertrude is in a unique position to write on feminism in South Africa having lived and worked in the women’s liberation struggles through the anti-apartheid movement, been imprisoned for her efforts, privileged to serve in the Mandela Government and lead significant organizations since then. She chooses to focus on grassroots women and women’s organizations and through her insightful interviews their stories become alive for us. Her book is a brave history that will be feasted on by scholars for years to come. ‘

Prof. Shirley Randell AO, PhD, Hon.DLitt

Founder and former director of the Center for Gender, University of Rwanda.

Currently- Pre-service Secondary Training Program Specialist

Ministry of Education, Dhaka, Bangladesh

The book is available at:



Barnes Noble : an=9783639510829&itm=1&usri=9783639510829


Cape Flats Film Festival: 16th – 23rd August 2015


SUNDAY, 23rd August 2015

11h00 – 19h00

Cape Flats Uprising aims to change the stereotypes that people have of the Cape Flats that strips vulnerable communities of their humanity. The film festival will therefore show positive documentaries and stories from the community with the community during the month of August. The aim is to highlight the many amazing people from the Cape Flats to change the lasting perception that was created by Apartheid to vilify the masses. The central message of this festival is that ‘Change begins with US!”

Cape Flats Film Festival Part 1 (The Winter / Indoor Screening) will run from the 16th August and end at the District Six Museum Homecoming Centre with an ‘Awards event’ on the 23rd August.

Screenings will take place in the following areas:

Follow the festival on Facebook for updates.

Sunday, 16th August – Ocean View
Monday, 17th August – Fairmount High
Tuesday, 18th August – Langa
Wednesday, 19th August – Mitchell’s Plain
Thursday, 20th August – Gugulethu
Friday, 21st August – (tbc) Bonteheuwel
Saturday, 22nd August – New World Foundation, Lavender Hill
Sunday, 23rd Aug 2015 – Finale at District Six Museum Homecoming Centre

Pictures below:

Left: learners at Fairmount High School, Grassy Park with a performer from the Cape Flats Hip Hop and dance crew, Mixed Mense. Right: Learners at Surrey Primary, Athlone discussing the movie ‘Afrikaaps’ with Emile Jansen of ‘Heal the Hood’.



Women’s Humanity Walk through District Six

The Artscape Women’s festival programme will include a HUMANITY WALK organized by the Woman Zone. The walk will start from the District Six Homecoming Centre on Sunday, 9th at 11h00 and pass through the site of District Six. This interactive initiative gives ‘Walkers’ the opportunity to communicate with someone they don’t know and build a bridge of dialogue.

After the success of last year’s event, the Woman Zone’s Women’s Humanity Walk returns in 2015, encouraging all women to don their walking shoes and take to the streets for an enjoyable stroll on WNational Women’Day, 2015. The walk begins at the District Six Homecoming Centre and ends at the Artscape Piazza, where there will be music, speeches and a special celebratory Humanity Meal.

Visit for more information about the Women’s Humanity Arts festival, booking details and participating organisations.



1 – 8 August 2015

The E. Desmond Lee Africa World Documentary Film Festival is sponsored by the E. Desmond Lee Professorship in Africa/African-American Studies. Centre for International Studies at the University of Missouri, Saint Louis and the Center for Black and African Arts and Civilization (CBAAC), Lagos, Nigeria. Through the art of documentary filmmaking, the AWDFF is committed to the promotion of knowledge, life and culture, of the people of Africa worldwide.

District Six Museum co-hosts this Festival with the English Department of the University of Western Cape (UWC).

OPENING : Saturday 1 August

14h10 – 14h30: Welcome and opening remarks

14h30 – 14h50: LAND OF DANCE (17 minutes) / Idrissa Camara
Dancing is part of our identity, it’s part of who we are, how we express ourselves. Fara Ta – Land of Dance is a first attempt to document some of the dance practices in Guinea, West Africa and pose the question on what is meant by “traditional” African-dance. The film maker went back to Guinea to record the urban and village dance practices. Wales, the film maker’s new home country is often called the “Land of Song,” so then surely Guinea must be “the land of Dance!”


15h00 – 16h30: LIFE IN PROGRESS (99 minutes) / Irene Loebell
In a rundown township near Johannesburg, three youngsters from troubled backgrounds are right in the middle of the great adventure of coming of age. All members of the dance group Taxido, which provides a living while improving their prospects, their days are filled with rehearsals and performances. In Jerry, founder, choreographer and manager of the troupe, in spite of his frightful past they find the guidance lacking from their upbringings. Seipati, 18, lives with her overburdened grandmother and is proud of the trophies she has received as the group’s dancing queen. Venter, 19, is relieved that dancing keeps him from the wrong path. Ladies’ man, Tshidiso, 20, always on the phone dealing with one of his eleven girlfriends, conquers not only girls but also Taxido audiences with his charm. The youngsters receive praises wherever they performe their wild dance routines, homegrown on the streets of their township, Though back in their hovels they face again the daily grind of poverty added to by the sometimes aggressive treatment Jerry uses to keep them away from the violence of the streets. But then the youngsters start to rebel when other interests take hold.

Twenty years after apartheid’s end, ‘Life In Progress’ delivers a close insight into the lives of three adolescents living in a rundown township called Katlehong, a Sotho word for “progress”.
Contact for more information
The rest of the District Six Museum programme:
Monday 3 August
18h10 – 18h35 DEEPER THAN BLACK / Sean Addo

23 minutes

A Ghanaian-American filmmaker looks to bridge the divide between his African pedigree and American birthright by confronting the question: ‘Who am I, and where do I belong?’ Born and raised in the United States to Ghanaian parents, Sean Addo, a product of two different cultures, African-American and African. Propelled by his fear of the loss of his Ghanaian culture, Sean sets off on his quest to clarify his identity. He looks to connect to his African heritage through dance, food, and language. In the process he challenges what it means to be ‘Black’ in America, and shares a similar story of the new American in a growing multicultural society.

18h35 – 18h45 BREAK
18h45 – 19h15 CAPE OF GERMAN HOPE / Anna Sacco

31 minutes

‘Cape of German Hopes’ is a journey into the life experiences of German families and people of German heritage settled in Cape Town, South Africa. It uncovers how they seek to open up to an African culture while keeping their typical Germanness. The film explores both the distinctive differences and the surprisingly similar historical parallels between Germany and South Africa. On a larger scale, the documentary also unpacks such complex topics as identity, trans-nationalism and acculturation. Treasuring one’s own cultural heritage becomes more important in an increasingly mobile society. Consequently, the documentary not only throws light on the local German community, but also attempts to show a blueprint of immigration cultures living all over the world.

19h15 – 19h30 BREAK
19h30 – 20h35 LANTANDA / Gorka Gamarra

63 minutes

The Creole is the language used daily by the majority of the population of Guinea Bissau. However, the creole does not have the status of official language. Musicians and writers of different generations explain through their songs why they have chosen this language as an instrument to express their feelings and transmit the social reality of the country.

Tuesday 4 August
18h10 – 18h25 MONEY 1955: THE EMMETT TILL MURDER TRIAL / Rob Underhill

15 mins

In “Money 1955,” international press descend on a remote Tallahatchie County, Mississippi courthouse and draw the world’s attention to the murder trial of two white men accused of the horrific lynching of a 14-year old black boy from Chicago named Emmett Till.

One actor, Mike Wiley, performs all 20 roles in reenacting the Emmett Till murder trial. It is a true-crime story crafted from the actual court transcripts.

18h25 – 18h45 BREAK
18h45 -20h15 POVERTY INC / Michael Matheson Miller

94 minutes

Fighting poverty is big business, but who profits the most? The West has positioned itself as the protagonist of development, giving rise to a vast multi-billion dollar poverty industry of NGOs, state and multilateral agencies, and for-profit aid contractors. The business of ‘doing-good’ has never been better.

Unfortunately, the results have been mixed, in some cases even catastrophic, and leaders in the developing world are growing increasingly vocal in calling for change.

Drawing from over 200 interviews filmed in 20 countries, Poverty, Inc. unearths an uncomfortable side of charity we are all too tempted to ignore. The film invites the viewer to step into the shoes of local entrepreneurs and their colleagues, parents and their families, with expert commentary from public leaders, development economists, anthropologists, and others.

From TOMs Shoes to international adoptions, from solar panels to U.S. agricultural subsidies, the film challenges each of us to ask the tough question: Could I be part of the problem?

Wednesday 5 August
18h10 – 18h50 UNFAIR GAME: THE POLITICS OF POACHING / John Antonelli

37 minutes

Can wildlife conservation efforts go too far? Is killing people ever a just punishment for hunting wild animals? ‘Unfair Game: The Politics of Poaching’ documents what happens when measures to protect wildlife are in direct conflict with indigenous peoples’ land rights, human rights and their very own survival.

The documentary explores conservation and sustainable development as a viable method for safeguarding the human rights of indigenous peoples whose traditional homelands are bordering wildlife refuges and nature conservancy. The film also shows the limitless positive repercussions when native people and animals are both valued and respected.

18h50 – 19h15 BREAK
19h15 – 20h30 GOLD IS HERE / David A. Masterwille

71 minutes

‘Gold is Here’ explores the lives of artisan gold miners in the rain forests of Ghana. The film takes a critical look at villagers who have been shot and have suffered serious gun injuries while defending their lands from illegal mining. The film also focuses on the women who ferry ores from dangerous pits and process them in poisoned waters as their means of livelihood. And in particular, it sheds light on the involvement of children mining in abandoned and collapsing mine pits. For most of these children, mining in sometimes mercury-infested streams has become their only means of raising revenue to cater for their elementary school needs. As a result, some suffer serious water borne diseases, which mostly go untreated for years, and in the process, impede their physical and educational development.

Thursday 6 August
18h10 – 18h20 DIRTY HANDS / John Goheen

8 minutes

In many African countries garbage is an ever increasing problem. In Uganda’s largest city, Kampala, roughly 800 tons of trash is generated each day. With limited government programs to deal with trash, some enterprising citizens have taken to the streets with profitable solutions in some unexpected ways.

18h20 – 18h55 MAESTRA / Catherine Murphy

33 minutes

Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. The documentary explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island – and found themselves deeply transformed in the process.

18h55 – 19h20 BREAK
19h20 – 19h30 NOISE RUNS / Kim Borba, Ashley Panzera

18 mins

In the aftermath of the 2010 Haiti earthquake, failed reconstruction has pushed social unrest to the breaking point. Protests erupt in the streets, and armed UN soldiers stalk the angry crowds. But a group of young Haitians, driven by their passion for a new Haiti, is sparking social change. To democratize information and offer hope to the population, they produce a radical newspaper, Bri Kouri Nouvèl Gaye (Noise Travels, News Spreads).

The documentary follows this team of idealistic citizen journalists as they confront the problems that NGOs and government could not solve. Undaunted by the threat of an oppressive government, they maneuver their way into prison to visit a political prisoner and unravel the story behind his illegal arrest. Unfazed by the downpour of Tropical Storm Isaac, they take us into the tent camps of Port-au-Prince to investigate the housing crisis that has left more than 150,000 people homeless. With youthful optimism, they strive to catch international attention via Twitter and YouTube. Their on-the-ground accounts take the audience beyond the characterization of Haiti as “the poorest country in the Western Hemisphere,” putting a human face on the statistics and challenging stigmas of victimhood. ‘Noise Runs’ is a story of triumph over repression and a testament to the power of hope.

19h30 – 20h40 VILLAGE OF PEACE / Ben Schuder, Nicholas Philipides

68 minutes

‘The Village of Peace’ reveals the untold story of the African Hebrew Israelites, an incredible group originally from Chicago, now thriving in the Israeli desert. The stories and perspectives of four Village members are woven together to illustrate a place unlike any other; a community enlightened by ancient scripture and determined to prioritize ‘life’ in its purest form. Their unique culture evolves from an uncommon interpretation of the Torah (Hebrew Bible), embedded in their foundation, principles, and daily lifestyle practices that includes polygamy, natural birth, veganism, and a rigorous emphasis on health.

Although the community is growing in numbers, recent immersion into the Israeli Army leaves the youth susceptible to outside influences. Ultimately we learn about the struggle to preserve the African Hebrew culture, and the challenges of passing their traditions to future generations.

Friday 7 August
18h10 – 18h25 A DAY IN THE SUN / Nerina Penzhorn

13 minutes

The Daily Sun is the most widely read tabloid newspaper in South Africa. ‘A Day in the Sun’ takes a poetic look at the stories behind the headlines. The film contrasts the often flippant headlines with the hardship that the subjects of Daily Sun stories often experience and shows the detrimental effect that reporting on the suffering of others has on Daily Sun journalists.

18h30 – 18h45 SEE ME NOW / Glen Mackay

13 minutes

‘See Me Now’ is a fashion film inspired by the quote – “The darker the skin, the uglier they’re considered”.

Upon hearing that, the film maker called upon models and designers of color to showcase the beauty of dark skin. And to send a message that beauty comes from being comfortable in your skin. See Me Now is a fashion film inspired by the quote – “The darker the skin, the uglier they’re considered”.
Upon hearing that, I called upon models and designers of colour to showcase the beauty of dark skin.
And to send a message, that beauty comes from being comfortable in your skin.

18h45 – 19h15 ROAD TO RIO / Nathan Erasmus

52 minutes

In greater Fortaleza in the north of Brazil there were 12,777 children and adolescents recorded to be in child labor, living and working on the streets in 2013. ‘Road to Rio’ follows 9 of them who won the chance to play in the 2014 Street Child World Cup. The film follows as the children go on an inspiring, emotional and often amusing journey while preparing and playing in the tournament.

This is more than a fascinating window into the lives of street children; this is their chance to shine!


The Wilvan community invites you to an evening of memory and tribute, celebrating 45 years of an extraordinary communal creative project in dance and related disciplines.

Video, oral and live presentations will document the Wilvan story from 1968 to 2013 and its contribution to the cultural fabric of Cape Town. Do join us in this celebration.

1 March 2015

District Six Museum

25 Buitenkant Street, Cape Town


Adults: R100 / Children: R50

Drinks and snacks will be served after the show. Advance booking is essential for catering purposes.

To book please contact Tembi Charles at or telephone / text: 0720335470