REMEMBERING 11 FEBRUARY 1966

Fifty-one years since the declaration of District Six a White Group Area

‘DISTRICT SIX: BIG SHAKE-UP IN PLANS FOR CITY.
Proclamation a shock’ read the headlines of The Cape Argus City Late edition on Friday, February 11 in 1966.

The article, written by a staff reporter for the newspaper, anticipated a number of issues that the city is still dealing with as part of apartheid’s legacy. It foresees, amongst other things:

  •  ‘A huge increase in the city’s already overloaded housing burden;
  •  … the creation of transport problems for a much larger commuter population.’It also refers to the government having ‘created new prospects for White expansion on the fringe of the city’s central business district’ – all issues which we are still facing even today.
  • It also refers to the government having ‘created new prospects for White expansion on the fringe of the city’s central business district’ – all issues which we are still facing even today.

The annual walk of remembrance has become an important activity on the calendar of former District Sixers, and others who are committed to actively remembering the past in ways which inspire us to think of a new way of being citizens.

The commemoration has all the hallmarks of the District Six Museum’s methodology: it is participatory, performative, it references the past and energises thinking about the future. Very importantly, it is a constant reminder that restitution should run much deeper than being a housing project. In addition to the important return to the land, it involves the return of dignity, the affirmation of rights, the assertion of cultural identity as well as respect for valuable local knowledge. It is a reminder that the past really does matter.

The community has been advocating for the declaration of District Six as a National Heritage Site. Join the call to fast-track the statutory process of declaration by pledging your support on this day. Join the call, too, to remember apartheid displacements from other areas around our country.

d6streetsign1capeargus8feb17d6streetsign2

The centre pic is from the front page of the Cape Argus, 8 February 2017.

“My Grandmother, Mabel Isobel Hutton (AKA Ma, Aunty Bell or Mrs Hutton) Unless we acknowledge our past,…” CECILÉ-ANN PEARCE

http://onthecouchwithca.blogspot.co.za/…/exiled-flight…Exiled – The Flight Out of District Six

The walk of remembrance starts at the District Six Museum, 25 Buitenkant Street, at 11h00 on Saturday 11 February. The walk will proceed with replicated District Six street signs, to Keisersgracht to line the street in a few moments of silence, interspersed with a few surprise performances along the way. Youth involved in our Art in Public Places – an archival photography project – will display their work to mark the site of remembrance. The programme will end at 13h30 at the Homecoming Centre, 15 Buitenkant Street with some light refreshments.

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CELEBRATE NATIONAL WOMEN’S MONTH with the District Six Museum

Saturday, 29 AUGUST 2015

District Six Museum Homecoming Centre

15 Buitenkant Street, Cape Town

13h30 – 15h30

You are invited to join us in honouring the women of the 1980s with the launch of the book,   ‘SOUTH  AFRICAN WOMEN’S APARTHEID AND POST-APARTHEID STRUGGLES: 1980-2014′ by Gertrude Fester

KEYNOTE SPEAKER: Former Constitutional Court Judge, ALBIE SACHS

For further information and to be invited to the book launch, please email: gertrudefester@gmail.com / feministforum@telkomsa.net 

BOOK SUMMARY

TITLE: South African Women’s Apartheid and Post-Apartheid Struggles: 1980-2014

PUBLISHER: Scholars’ Press, Saarbrücken, 2015.

WRITER: Gertrude Fester

ISBN 978-3-639-51082-9

The first section examines grassroots women’s non-racial political activism (Western Cape) during the 1980-1994 phase to achieve citizenship. This is captured through analysing the United Women’s Organisation, UWO (1981-1986), United Women’s Congress (1986-1990) and Federation of South African Women (Western Cape, 1987-1990). These organisations had more than 6000 members at any one time. Despite apartheid, membership  ranged from Gardens to Guguletu, Manenberg to Macassar. Members were  domestic workers, students, housewives, university lecturers, professors, lawyers, factory workers, etc. The UWO was central to the formation of the United Democratic Front (UDF) and for the first few months of its existence here, the UDF used the UWO’s Mowbray offices.

Through tracing the history of women’s political agency and resistance, this study argues that women profoundly contributed to the New SA. Motherhood was the legitimate space granted to them by liberation movements but women transformed motherhood into empowering public roles, affirming demands for citizenship. These aforementioned ANC-supporting structures later broadened out into strategic alliances in order to  maximize women’s intervention as negotiations loomed. This illustrates the shifting nature of women’s resistance, what forms they took and how they pragmatically and strategically changed over time. Subsequently the Women’s Alliance was formed and thereafter an even broader structure, the Women’s National Coalition.

This narrative of women’s struggles asserts that despite patriarchy relegating women’s issues as secondary, women’s focussed struggles united diverse women to effective intervention. This culminated in the gender-sensitive constitution.

A secondary focus examines transition from apartheid to  ‘women-friendly’ SA. By comparing the demands of The Women’s Charter for Effective Equality (1994) with the 1994-2014 reality of women and by analysing what women themselves state (200 interviews), women’s citizenship is assessed.

The penultimate chapter outlines progress of 20 years of freedom. Many critical challenges remain. The question, within this context, asks whether women in government have contributed to radical transformation of women’s lives.

This study concludes that the achievement of feminist citizenship is uneven. Despite the impressive constitution, the sporadic implementation of gender-sensitive policies, poverty, high levels of violence against women and children and the negative impact of culture and religion are some of the obstacles to women’s comprehensive citizenship. The above is all told from an ‘insider-outsider’ perspective as Gertrude was a leader in all the above struggles.

REVIEW BY SHIRLEY RANDELL

‘I commend Professor Gertrude Fester’s book to all feminists and human rights activists around the world who are interested in the struggle of women in Africa for human rights. Gertrude is in a unique position to write on feminism in South Africa having lived and worked in the women’s liberation struggles through the anti-apartheid movement, been imprisoned for her efforts, privileged to serve in the Mandela Government and lead significant organizations since then. She chooses to focus on grassroots women and women’s organizations and through her insightful interviews their stories become alive for us. Her book is a brave history that will be feasted on by scholars for years to come. ‘

Prof. Shirley Randell AO, PhD, Hon.DLitt

Founder and former director of the Center for Gender, University of Rwanda.

Currently- Pre-service Secondary Training Program Specialist

Ministry of Education, Dhaka, Bangladesh

The book is available at:

Amazon: http://www.amazon.com/African-Womens-Apartheid-Post-Apartheidstruggles/dp/3639510828/ref=sr_1_1?s=books&ie=UTF8&qid=1431576749&sr=1-1&keywords=9783639510829

Morebooks: https://www.morebooks.de/store/gb/book/south-african-women-s-apartheid-and-post-apartheid-struggles:1980-2014/isbn/978-3-639-51082-9

Barnes Noble :http://www.barnesandnoble.com/w/south-african-womens-apartheid-and-post-apartheid-struggles-fester-gertrude/1121851529? an=9783639510829&itm=1&usri=9783639510829

SOON TO BE AVAILABLE AT BOOK STORES IN CAPE TOWN!

A round-table discussion with Mindy Fullilove: Impressions of the mental health of Cape Town as a ‘recovering’ city.

Join District Six Museum and the African Centre for Cities in a round-table with Dr Fullilove during which time she will share with us some of the practical expressions of her work, as well as her impressions of the mental health of Cape Town as a ‘recovering’ city.

TUESDAY 11 AUGUST 2015,
18h00 – 20h00
District Six Museum Homecoming Centre,
15 Buitenkant Street
021 466 7200 / nicky@districtsix.co.za for more information

Dr Mindy Thompson Fullilove, will be visiting us from Columbia University in New York.
She is a professor of Clinical Psychology and Public Health, and is interested in the links between the environment and mental health. She has researched, written and designed projects which speak to this concern, and is well-known for her critique as well as the development of various initiatives in New York and surrounding neighbourhoods.
In the introduction to her book Root Shock’, she writes:
I present here the words of the people who have lived upheaval: the uprooted, the planners, the advocates, the historians. Read their words with care for them and for yourself. Read their words, not as single individuals living through a bad time, but as a multitude all sharing their morsel of the same bad time. Read in that manner and I believe that you will get the true nature of root shock. Read in that manner, and I believe you will be able to embrace the truth, not as a fearful thing, but as a call to join the struggle for a better tomorrow.

A SHORT BIO:
Dr. Mindy Thompson Fullilove is a board-certified psychiatrist who is interested in the links between the environment and mental health. She started her research career in 1986 with a focus on the AIDS epidemic, and became aware of the close link between AIDS and place of residence. Under the rubric of the psychology of place, Dr. Fullilove began to examine the mental health effects of such environmental processes as violence, rebuilding, segregation, urban renewal, and mismanaged toxins. She has published numerous articles and six books including “Urban Alchemy: Restoring Joy in America’s Sorted-Out Cities,” “Root Shock: How Tearing Up City Neighborhoods Hurts America and What We Can Do About It,” and “House of Joshua: Meditations on Family and Place.”

District Six Museum’s May Supper Club presents TERRY FORTUNE

Meet Terry Fortune over a supper of tomato bredie and rice, with sago pudding for dessert followed by coffee and tea. A welcome drink will be served on arrival

THURSDAY, 28th MAY 2015

18h00 – 20h00 sharp

District Six Museum Homecoming Centre

15 Buitenkant Street, Cape Town

Tickets are R 150 per person, and should be booked in advance by emailing reception@districtsix.co.za or calling Zahra on 021 466 7200

Terry Fortune is a veteran of South Africa’s music and entertainment industry. He was born in the year that the National Party came to power – 1948. He went on to defy the Calvinist conservatism that dominated society and became the first black man to choose ‘female impersonation’ as a vehicle for his alter ego and career.

Terry has worked and travelled extensively throughout Southern Africa, Europe, Brazil and the UK.  A remarkable aspect of his career is that he worked mainly in the ‘straight’ entertainment market as opposed to the ‘gay’ market where this kind of entertainment is most welcomed. He performed in drag at both the Namibian and Mozambique Independence, and at the ultra-conservative ‘Dutch Reformed Church synod conference’.

Terry has appeared in cabaret, extravaganzas, musicals and in 2009 won the Fleur de Cap award for ‘Best performer in a musical’ for his role in Songbook.

Recently he started writing his autobiography as a series of Facebook entries entitled   ‘Faces of ‘Fortune’ and spends his free time nurturing young artists and teaching them life skills.

With the kind support of BRIMSTONE

Roland Colastica’s DESIRE: Every soul tells a story

Wednesday, 20th May 2015
18.30 for 19.00
Prestwich Ossuary
C/O Somerset Road and Buitengracht Street
Enquiries: 021 4667200 / reception@districtsix.co.za

http://tinyurl.com/nvaby8q

Roland Colastica and Storytelling

Roland Colastica is a contemporary storyteller, writer, actor and poet who uses his performances -to reveal his theatrical storytelling and writings- to create instruments to support this fighting.

What is storytelling other than to make the listener experience the reality of humankind that everyone faces; every heart and every soul tells a story. Storytelling makes people understand that each soul has its own story.

Curaçao is a small island off the coast of Venezuela, South America and is still a colony of The Netherlands. As part of the Dutch kingdom, it was the most important point of sale for the Dutch slave trade.

Six hundred thousand slaves were forced to leave their homes in Ghana and other parts of Africa to make the horrific journey to the Caribbean – to Curaçao – where they were sold to plantation owners in most of the islands of the Caribbean, Suriname, Brazil and the southern USA.

Despite the pain that we inherited from this horrific part of our history, these African ancestors left us one of the most precious treasures a community can desire which are our traditional stories. These stories combined with those of the ancestors of former white rulers left behind, enriched even more the treasure box of our oral stories.

All these stories tell the enormous desire of humanity, whatever these were; from slaves that wanted to fly back to Africa to whites and blacks falling in love which was prohibited. From the fable about the Nanzi, the smart and sly spider who knew how to trick the King (read the slave owner) and get advantage over him for its own benefit, to young mothers who trust their new borns to the huge eagle.

These stories tell so much about our past reality that has made us the people we are today – a community that is constantly fighting for respect of its identity; a community that is convinced it can determine its future by knowing its true past.

Roland Colastica, as a contemporary writer writes about present topics like the desire of the modern man to talk about his emotions when his wife is pregnant among other themes.

Summary of Performances

  • In 1999: celebration of the “Quincentenary of Written History of Curacao” for his Royal Highness Prince Willem Alexander together with Jacques Visser and Dana Kibbelaar.
  • In 2002: celebration of the Royal wedding of His Royal Highness Prince Willem Alexander and Princess Máxima in Curaçao.
  • In 2005 celebration of Her Majesty Queen Beatrix 25th anniversary as Queen of The Netherlands.
  • In 2013: cultural event for an official visit of Queen Beatrix to Curacao, which later on turned out to be her last visit to Curaçao as the Queen of the Dutch Kingdom.
  • In 2014 he was made responsible for producing a huge cultural manifestation as a welcome gift from the Curacao community to King Willem Alexander of the Netherlands and his wife Queen Máxima, on their first visit as king and Queen to Curaçao. King Willem Alexander is the First King of the Dutch Kingdom since the passing away of King Willem the 3th in 1890. For this manifestation Roland was chosen not only to write, to direct and to produce, but also to be the master of ceremony, in which position he could address the King and Queen personally. His assistant in this was former Lieutenant Governor Ms. Lizanne Dindial.
  • It was in 2004 that Roland was invited by the IDEA organization to attend to their International Conference then held in Ottawa Canada. In 2007 this same organization invited him to their Conference held in Hong Kong.
  • For his theatre achievements Roland was honored, in 2006, with the most prestigious “Cola Debrot Award”, a Cultural Award given for ‘theatre’ only once in 6 years.
  • In 2010 he received the decorations of the “Knight of the Dutch Kingdom”.
  • Roland has written and published several books for children and adults as well as plays in his native language Papiamentu.
  • In 2012 Roland wrote his first children novel in Dutch entitled “Vuurwerk in mijn hoofd” , (Fireworks in my head) which was a huge success.
  • Roland gained popularity in the former Netherlands Antilles as well as in The Netherlands with his successful monologue “Ninga Bon” (denial), directed by the Venezuelan director Carlos Acosta.
  • South Africa, and especially Ms Myriam Makeba, has played a very important role in Roland’s development, growing up and maturing both as a youngster and as an artist. He feels very proud and honoured and still considers it a privilege having met Ms Makeba twice in his life.
  • So when in 2014 Roland was invited to participate at the TWIST writers’ project in Grahamstown, he was more than honored to oblige. In this project he worked with Roel Twijnstra, Emma Durden, Kobus Moolman, Neil Coppen, Ntsieng Mokgoro, Samson AmJay Mlambo, amongst others.
  • In Curaçao he had the honor of working with 2 South African writers in a European literary event called Writers Unlimited: Rayda Jacob and Diana Ferrus.
  • Roland Colastica plays, writes and performs in 4 languages: his native language Papiamentu, his colonial language Dutch, and English and Spanish, languages he speaks fluently. He writes plays and tells stories both for children and adults.

DESIRE: Synopsis
In interaction with the audience, Roland Colastica will sing, tell stories, perform poems and use theatre /acting elements to make the audience experience the beauty of verbal expression.

Desire, a theatrical storytelling performance
Duration: 60 min.
Language: English

For one hour Desire will take the audience back to the past through oral stories and bring them back to our daily life in the present through contemporary stories and poems. Desire will tell the stories of the daily life then of the ancestors of the present black community in Curaçao. It will also give a glimpse into how the colonial times influenced our identity and pulled us away from our African customs and culture as well as how it forced us to fight for afro recognition, even though we are 20.000 km from the African continent.

DESIRE
Every soul tells a story.

Makamba:
(makamba means white dutch man)(Roland Colastica)
Anecdote/satire about a black man winning a lottery
This Black man hates the white’s, because he wanted so badly to be white, for being white stands for everything his heart desires: big house at the shore, fancy cars, good job and even though he has all of these he still wants to be white.

Song: Island in the sun (Harry Belafonte)
Song telling about the daily life on a Caribbean Island

Poetry: Granny on the market place (Emeral Johnson)
An old lady is buying on the market: Taste the creative mixture of the creole language of the Caribbean and the power of the elderly Caribbean woman

Storytelling: Ta mi senglé. Ta mi senglá.
(It is not all gold what shines)
Oral story about a young woman who has one desire in her life and that is to marry a man with only golden teeth in his mouth. She will go through hell to discover that everything that shines is gold.

Song: Laman ta duna. Laman ta tuma
(the sea gives, the sea takes it back)(Clemencia)

Storytelling: Luangu.
(mixed colour)
Oral story about the slaves that wanted to fly back to Africa

Storytelling: Nanzi ku La Muérté
( Spider Nanzi and the Death)
Oral story (slave story) about how Nanzi(spider) defeated even the death.

Song: Nochi pasoleta
(the night is not bringing anything to eat) (traditional song)

Storytelling: Kositu
(little tiny thing of me)
Oral story about a young mother who trust her little baby to the hunting eagle.

Poetry: Pakiko sigui
(Why should I go on) (Fifi Rademaker)

Storytelling: Underwood: (Marcos Gabriel)
Contemporary story about a man’s desire to believe in the real woman. His real love is writing him every day a letter telling him when she will arrive.

Poetry: Pa grasia di matris
(For the grace of a womb)(Roland Colastica
Poem about how easy it is to blame a man for being a bad father

Storytelling: Tata embarasá
(Pregnant father)(Roland Colastica)
Contemporary story about a man during pregnancy and birth of his child

Storytelling: It’s all about hope(Roland Colastica)
Contemporary story about the child in the adult who never will lose hope.

Song: I am in love with life(Roland Colastica)

Junice Augusta manager
Roland Colastica © 2015

Albie Sachs speaks at the Lydia William’s Centre for Memory

11 February 1966: District Six was declared a white area…

Join the District Six Museum, the community it works with and friends for words of reflection by our guest speaker, ALBIE SACHS, former Constitutional Court Judge. This will form part of the Interfaith Service that will conclude a day of remembrance and place making. For more information: http://tinyurl.com/qbzs2ej

The Lydia Williams Centre for Memory (Old St Phillip’s School)

Chapel Street, District Six

11 February 2015

7pm