Film Screening: Mr Table Tennis

Thursday, 23rd March 2017

6pm – 8pm (5pm for meet and greet over snacks)

District Six Museum Homecoming Centre

15 Buitenkant Street, Cape Town

https://goo.gl/maps/ZBW9aEx5DTL2

SYNOPSIS
Mr Table Tennis is the inter-generational story of Pedro and Cody Meyer. Their big dreams unfold against an ambiguous socio-economic climate that determines the choices they make in life and in table tennis.

Pedro Meyer was a brilliant table tennis player and a showman. Living under apartheid meant he was unable to test his game on the international stage. Today he has placed his dreams of world domination in his grandson, Cody.

Growing up in the New South Africa, Cody has been able to travel and compete internationally and he knows his family would like him to continue where his grandfather left off.

Cody is torn between pursuing his new passion, DJing, and table tennis, which is in his blood.

DIRECTOR BIOGRAPHY: TINA-LOUISE SMITH – accidentalfilms.co.za
Tina-Louise Smith has worked as director and series director on documentary, educational and entertainment television programmes for SABC 1, 2 and 3 since 2001.

She directed the following short films: African Queen (2012); Cape Town is not For Me (2011); Framed (2011); I Want To Be A Teapot (2011); My Cape Town (2010); and Looking Back At Leeuwenhof Road (2005).

Through Accidental Films and TV, which she founded in 2010, Tina-Louise produced and directed Mr Table Tennis (2015), an inter-generational documentary about a family’s dreams of table tennis domination within our ever-changing socio-economic context. Mr Table Tennis had its world premiere at the Encounters 18th South African International Documentary Festival in 2016 where it received the bronze Audience Award for Best South African Documentary. Mr Table Tennis is owned by the SABC.

Tina-Louise also produced and directed Engender (2015), a 3-part feminist TV show for Cape Town TV (CTV). She is currently developing The Medium. The Message. (Working title), a documentary film about community TV in South Africa. She is also fundraising for a short fiction film, The Time It Takes, that explores our expectations of women around having children.

Read more:
The link to the trailer: https://vimeo.com/151489917
A review of the film: http://accidentalfilms.co.za/mr-table-tennis-film-review/
A blog post about working on the film by the Production Co-ordinator on the film: http://accidentalfilms.co.za/my-first-film/
A blog post about working on the film by the Director: http://accidentalfilms.co.za/working-on-mr-table-tennis/

REMEMBERING 11 FEBRUARY 1966

Fifty-one years since the declaration of District Six a White Group Area

‘DISTRICT SIX: BIG SHAKE-UP IN PLANS FOR CITY.
Proclamation a shock’ read the headlines of The Cape Argus City Late edition on Friday, February 11 in 1966.

The article, written by a staff reporter for the newspaper, anticipated a number of issues that the city is still dealing with as part of apartheid’s legacy. It foresees, amongst other things:

  •  ‘A huge increase in the city’s already overloaded housing burden;
  •  … the creation of transport problems for a much larger commuter population.’It also refers to the government having ‘created new prospects for White expansion on the fringe of the city’s central business district’ – all issues which we are still facing even today.
  • It also refers to the government having ‘created new prospects for White expansion on the fringe of the city’s central business district’ – all issues which we are still facing even today.

The annual walk of remembrance has become an important activity on the calendar of former District Sixers, and others who are committed to actively remembering the past in ways which inspire us to think of a new way of being citizens.

The commemoration has all the hallmarks of the District Six Museum’s methodology: it is participatory, performative, it references the past and energises thinking about the future. Very importantly, it is a constant reminder that restitution should run much deeper than being a housing project. In addition to the important return to the land, it involves the return of dignity, the affirmation of rights, the assertion of cultural identity as well as respect for valuable local knowledge. It is a reminder that the past really does matter.

The community has been advocating for the declaration of District Six as a National Heritage Site. Join the call to fast-track the statutory process of declaration by pledging your support on this day. Join the call, too, to remember apartheid displacements from other areas around our country.

d6streetsign1capeargus8feb17d6streetsign2

The centre pic is from the front page of the Cape Argus, 8 February 2017.

“My Grandmother, Mabel Isobel Hutton (AKA Ma, Aunty Bell or Mrs Hutton) Unless we acknowledge our past,…” CECILÉ-ANN PEARCE

http://onthecouchwithca.blogspot.co.za/…/exiled-flight…Exiled – The Flight Out of District Six

The walk of remembrance starts at the District Six Museum, 25 Buitenkant Street, at 11h00 on Saturday 11 February. The walk will proceed with replicated District Six street signs, to Keisersgracht to line the street in a few moments of silence, interspersed with a few surprise performances along the way. Youth involved in our Art in Public Places – an archival photography project – will display their work to mark the site of remembrance. The programme will end at 13h30 at the Homecoming Centre, 15 Buitenkant Street with some light refreshments.

RE[AS]SISTING NARRATIVES

A FRAMER FRAMED / DISTRICT SIX MUSEUM exhibition

23 November – 13 December 2016

 

Enquiries about the opening on Wednesday, 23 November at 17h30: Zahra Hendricks \ reception@districtsix.co.za \ 021 4667200

Public Education Programme (PEP): Exhibition walk about and panel discussion featuring the curators and artists – Chandra Frank and Judith Westerveld (NL); Justin Davy, Tasneem Mononoke Wentzel and Toni Stuart (SA): Friday, 25th November at 17h30

DISTRICT SIX MUSEUM HOMECOMING CENTRE

15 Buitenkant Sreet, Cape Town // districtsix.co.za

Open Monday – Saturday, 09h00 – 16h00 // Free entry

Directions: https://goo.gl/maps/dhNEMduDsqD2

reassistingnarrativesposter

District Six Museum and Framer Framed, a platform for arts & culture in Amsterdam, present a unique collaborative exhibition: Re(as)sisting Narratives, curated by Chandra Frank. The exhibition explores lingering legacies of colonialism between South Africa and the Netherlands through engaging with contemporary artists from both countries. Re(as)sisting Narratives is the result of a two-year project between three partners from both The Netherlands and South Africa: Framer Framed (NL), District Six Museum (SA) and Centre for Curating the Archive (SA).

The exhibition is on show in The Netherlands and South Africa, partly overlapping: at Framer Framed (Amsterdam) from 28 August – 27 November, at District Six Museum (Cape Town) from 23 November – 13 December.

Participating artists explore broader themes such as race, gender, memory, trauma and spatiality in their work. At District Six Museum, the exhibition features Burning Museum, Toni Stuart & Kurt Orderson and Judith Westerveld. At Framer Framed, the exhibition also includes Mohau Modisakeng, Athi-Patra Ruga and Mary Sibande. The artists in this show are connected by a shared interest in evoking and readdressing that what is left behind, that what is (in)visible, and a visual fusion of reality and fantasy to create new ways of being.

READ MORE:

Framer Framedhttp://tinyurl.com/jd4ak4l

Chandra Frank – http://tinyurl.com/jhf3t7y

Burning Museum – http://tinyurl.com/grhghff

Toni Stuarthttp://tinyurl.com/jocxzf3

Kurt Ordeson – http://tinyurl.com/gpdsomr

Judith Westerveld – http://www.judithwesterveld.nl/

IBRAHIM KHALIL SHIHAB QUARTET IN CONCERT

Legendary Cape Town composer and jazz pianist, formerly known as Chris Schilder, will perform at the District Six Museum Homecoming Centre featuring BUDDY WELLS on soprano and tenor sax; LIONEL BEUKES on bass; and LIAM WEBB on Drums.

FRIDAY, 27th MAY 2016 @ 8pm

D6M Homecoming Centre, 15 Buitenkant Street, Cape Town

Cost: R120 (all early bird tickets are bought)

For more information and reservations contact Mirza Parker: +27764157244

‘From where I am sitting’: Supper Club with Trevor Jones

The 2016 series of District Six Museum ‘Tafel Conversations’ is called ‘From where I am sitting.’

Thursday 31 March 2016: ‘From where I am sitting’: supper and conversation with Trevor Jones

As a young boy in District Six, Trevor Jones spent many hours in the local bioscopes and was even known to bunk school in order to feed this passion.
As a famous Hollywood film score composer, he remembers these early days when he believes his love of film and music was born. As a young man he won a scholarship to attend the Royal Academy of Music in London where he studied composition, orchestration, conducting, piano and organ. His list of films scores is impressive. They include Notting Hill, Mississippi Burning, Arachnophobia, The Last of the Mohicans, Richard III and GI Jane, amongst others.
We are privileged to have Trevor Jones as our first Supper Club guest for 2016 who will share his story at the District Six Museum’s Homecoming Centre on Thursday 31 March at 18h00.
Tickets for the event which includes a three-course meal, is R 150. Bookings can be made via Webtickets (www.webtickets.co.za) or by calling Zahra Hendricks on 021 4667200 or emailing her on reception@districtsix.co.za

SUPPORT OUR CAMPAIGN: Declare District Six a National Heritage Site

#D6HeritageSite  #D6NationalHeritageSite

Why a National Heritage Site?

After the dramatic announcement on 11 February 1966 of the declaration of District Six as a white group area, a number of protest organisations and committees grew, which included the District Six Defence Committee, the District Six Association, the Friends of District Six, the Rent, Rates and Residents’ Association, and the Hands Off District Six Campaign Committee being amongst some of the better-known ones. In addition, the institutions in the area engaged in protest actions involving their different constituencies. This included schools such as Trafalgar and Harold Cressey; churches such as the Catholic, Methodist and Anglican Churches.

We have come a long way since the Hands Off District Six Campaign of the late 1980s, the eager anticipation of the first photographic exhibitions, the heady days of elections and national renewal in the 1990s.

Much has been achieved, against considerable odds.  Land restitution is a reality, even if it remains fraught with political challenges and challenges of delivery.  District Six is claiming its place in the pantheon of formative narratives of the nation.

The District Six Museum bears the scars and traces of this process of nation-building at a very local, but profoundly global scale.  It has emerged from a humble, community oriented space into international prominence, celebrated in many journals, books, and reviews.  It remains the most successful example of a community based project of its kind, an object lesson for local and international projects seeking to engage people in the remaking of their past and its mobilisation for democratic ends.

Yet, the greatest achievements of the museum lie squarely in its future.  The power of the site of District Six remains its greatest asset.  It continues to speak to many thousands in the city, and the rest of the country of the demand that we build cities ‘not of races, but of people’ and that this simple demand becomes a component for every vision in every community in the nation.

Indeed, District Six takes its place alongside Sophiatown, Cato Manor, and other iconic removals as the pre-eminent narrative of forced removals in South Africa.  The tale of its destruction captures the destructive impact of an idea called apartheid, and its attempt to destroy a competing idea, namely that South Africans could be citizens of a unified country based on universal principles.  Its induction into the national estate presents a perpetual opportunity to remind South Africans that we are to transcend this traumatic past and build on its ruins, the basis for a new citizenship in which we all share and celebrate.

The struggle for District Six should not, however, be seen as one which was waged independently of other struggles. It was one which found support in other community structures, particularly in the period of mass actions in the 1970s and 1980s. The success of the land restitution process in District Six benefited from similar struggles waged simultaneously elsewhere. So, just as District Six was a formative example to other communities and gave rise to strong political leadership, so too did it benefit from the supportive actions waged on other sites of struggle.

The implementation of the policy of forced removals has played an important part in the history of Cape Town, and District Six is but one of these areas so affected. The prominence of the District Six story provides a platform from which to investigate the impact of forced removals nationally, and to explore its ongoing impact on contemporary communities.

Like Ahmed Kathrada says of Robben Island, ‘While we will not forget the brutality of apartheid, we will not want Robben Island to be a monument to our hardship and suffering. We would want Robben Island to be a monument … reflecting the triumph of the human spirit against the forces of evil. A triumph of non-racialism over bigotry and intolerance. A triumph of a new South Africa over the old.’[1] In the same way, we believe that the District Six site can be an invaluable nation-building space.

[1] Kathrada, Ahmed

50yrsDeconstructed2

Panel Discussion: The Politics, culture and pedagogy of representation

USAKOS – Photographs Beyond Ruins: The old location albums, 1920’s-1960

The panel discussion will interrogate some of the often contentious issues confronting photographers and researchers who work with communities facing despair of one kind or another. It is often in the process of curating the lives of others that a line is drawn between rendering the subjects in a way that is demeaning or dignified with a lot of grey in between.

Panelists will include Giorgio Miescher (University of Basel); Jeremy Silvester (Museums Association of Namibia); Tina Smith (District Six Museum); Martha Akawa (University of Namibia)

Saturday, 20th February 2016 \ 10am – 12pm \ D6M Homecoming Centre, Gallery, 15 Buitenkant Street, Cape Town \ Contact Zahra: 021 4667200 \ education@districtsix.co.za

50yrsDeconstructed2.1