REMEMBERING 11 FEBRUARY 1966

Fifty-one years since the declaration of District Six a White Group Area

‘DISTRICT SIX: BIG SHAKE-UP IN PLANS FOR CITY.
Proclamation a shock’ read the headlines of The Cape Argus City Late edition on Friday, February 11 in 1966.

The article, written by a staff reporter for the newspaper, anticipated a number of issues that the city is still dealing with as part of apartheid’s legacy. It foresees, amongst other things:

  •  ‘A huge increase in the city’s already overloaded housing burden;
  •  … the creation of transport problems for a much larger commuter population.’It also refers to the government having ‘created new prospects for White expansion on the fringe of the city’s central business district’ – all issues which we are still facing even today.
  • It also refers to the government having ‘created new prospects for White expansion on the fringe of the city’s central business district’ – all issues which we are still facing even today.

The annual walk of remembrance has become an important activity on the calendar of former District Sixers, and others who are committed to actively remembering the past in ways which inspire us to think of a new way of being citizens.

The commemoration has all the hallmarks of the District Six Museum’s methodology: it is participatory, performative, it references the past and energises thinking about the future. Very importantly, it is a constant reminder that restitution should run much deeper than being a housing project. In addition to the important return to the land, it involves the return of dignity, the affirmation of rights, the assertion of cultural identity as well as respect for valuable local knowledge. It is a reminder that the past really does matter.

The community has been advocating for the declaration of District Six as a National Heritage Site. Join the call to fast-track the statutory process of declaration by pledging your support on this day. Join the call, too, to remember apartheid displacements from other areas around our country.

d6streetsign1capeargus8feb17d6streetsign2

The centre pic is from the front page of the Cape Argus, 8 February 2017.

“My Grandmother, Mabel Isobel Hutton (AKA Ma, Aunty Bell or Mrs Hutton) Unless we acknowledge our past,…” CECILÉ-ANN PEARCE

http://onthecouchwithca.blogspot.co.za/…/exiled-flight…Exiled – The Flight Out of District Six

The walk of remembrance starts at the District Six Museum, 25 Buitenkant Street, at 11h00 on Saturday 11 February. The walk will proceed with replicated District Six street signs, to Keisersgracht to line the street in a few moments of silence, interspersed with a few surprise performances along the way. Youth involved in our Art in Public Places – an archival photography project – will display their work to mark the site of remembrance. The programme will end at 13h30 at the Homecoming Centre, 15 Buitenkant Street with some light refreshments.

IBRAHIM KHALIL SHIHAB QUARTET IN CONCERT

Legendary Cape Town composer and jazz pianist, formerly known as Chris Schilder, will perform at the District Six Museum Homecoming Centre featuring BUDDY WELLS on soprano and tenor sax; LIONEL BEUKES on bass; and LIAM WEBB on Drums.

FRIDAY, 27th MAY 2016 @ 8pm

D6M Homecoming Centre, 15 Buitenkant Street, Cape Town

Cost: R120 (all early bird tickets are bought)

For more information and reservations contact Mirza Parker: +27764157244

Stories of activism, exile and leadership

STORYTELLING WITH JOHNSON MLAMBO

This wonderful opportunity knocked on our door two days ago and we welcomed it in with open arms. We would now like to extend this warm welcome to you at the eleventh hour.

Johnson Mlambo will be in ‘performative’ conversation with Philippa Namutebi Kabali-Kagwa and Maria Serrano at the District Six Museum Homecoming Centre, 15 Buitenkant Street, Cape Town. The programme will run from 6 – 8pm, Thursday, 21st January 2016.

https://goo.gl/maps/GoPV1EL3euN2

NB* the entrance to the D6M Homecoming Centre is on Buitenkant Street, off a lane about 25 metres from the Caledon Street corner.

 

PARTICIPANT BIOGRAPHIES

Mr Johnson Mlambo is the main storyteller for the evening. Born on the 22 February 1940 in Pilgrim’s Rest, Mpumalanga, Johnson was inspired by Josiah Madzunya and  Robert Sobukwe, and joined the Pan Africanist Congress (PAC) at its formation in 1959. At the time he worked as a labourer, and a clerk for the Benoni Municpality.

In 1963, at the young age of 23, Johnson was arrested with 6 others and charged with sabotage against South Africa.  He was sentenced and served 20 years on Robben Island. Amongst the many injustices he suffered was being buried alive by prison warders.  This was something that happened to many, and Johnson was able to smuggle this information out, forcing the Apartheid regime to improve conditions on the island.  On his release he spent 10 years in exile, as a leader of the PAC.  He has addressed the OAU, United Nations, Commonwealth, and the Non-Aligned Movement Countries. In 1994 he was elected to Parliament but decided not to go to parliament.  He appeared twice before the Truth and Reconciliation Commission.  He worked for the integration of APLA, as well as for the integration of ex-APLA, ex-MK and former Homeland armies into one National Military Veterans Association.

Johnson has a great interest in sharing stories and his knowledge with young people.  In 2012 and 2013 he completed courses on storytelling in order to refine his storytelling skills.

Johnson Mlambo will share stories of his life as an activist with his rare combination of humour, gravitas and humility.  This will be followed by a facilitated conversation.

Philippa Namutebi Kabali-Kagwa is a Ugandan-South African poet, storyteller, coach and facilitator. Her childhood home was full of story – her father the writer, her mother the teacher, researcher and narrator par excellence.  They were all avid readers.  It is here she learnt the power of story to heal, to teach, to entertain, to comfort and create a sense of community.

Philippa has a passion for folktales and myths – the wisdom of centuries, the tried and tested imagery, the archetypal characters that give new perspective to the perennial questions that we struggle with. She says, “When a story gets my heart beating faster, or an image in a story stirs something inside me, I know that that story has come to teach me at this moment in my life! I believe this is true for everyone.”

María Serrano is a multilingual international storyteller who performs in English, Swedish and Spanish. Her repertoire includes traditional-, true-life- and improvised stories. She first met Johnson Mlambo in 2012 on a storytelling course in Cape Town. She has since performed his story “The Mother of All Tears” in several countries in a variety of settings.

“I remember telling Jonhson’s story in the street outside a bookshop in Spain and seeing the look in the eyes of the young men, aged 16-17, hearing about how seeing young men their age arriving at Robben Island, made Johnson decide he would never stop fighting apartheid.” she recalls.

For more information contact the Museum: 021 4667200 / info@districtsix.co.za

Symposium: Memory in a time of Freedom

Hosted by the District Six Museum and the Steve Biko Foundation.

Fri, 23 – Sat, 24 October 2015

District Six Museum Homecoming Centre

15 Buitenkant Street, Cape Town

For directions: https://goo.gl/maps/5JzPziztK5J2

 

WHAT IS THE SYMPOSIUM ABOUT?

District Six Museum and the Steve Biko Foundation aim to host and facilitate a multi-disciplinary symposium to explore the status and nature of memorialisation in our 20th year of ‘freedom’. This symposium will provide a platform for scholars, community-based activists, expressive artists, designers, policy influencers, youth, amongst others, to reflect on various notions of freedom and restitution. The symposium will take the form of a series of critical appraisals over two days with the aim of bringing into sharp relief the key initiatives since 1994 that have either entrenched or started reversing colonial and apartheid legacies of inequality, racism and marginalisation. We will reflect on this in relation to memorialisation and its important role in imagining an egalitarian future.

WHAT THEMES WILL WE EXPLORE?

  1. Re-imagining divided and unequal cities – cultural geographies of racial and class identity;
  2. Race, identity and voice – mediating popular and difficult discourses on difference, diversity, multi-culturalism, ethnicity, gender and class;
  3. Stories of hope, social justice and a vision for a new humanity.

The symposium will consist of mediated panel discussions, workshop sessions and presentations in a register that encourages participation across multiple experiences in society (community organisation, university, research institution, public spaces and projects, etc).

CHOOSE HOW YOU WOULD LIKE TO PARTICIPATE:

A.   Contribute to a workshop (See themes above);
B.   Display your organisation’s material;
C.   Contribute to a blog / social media;
D.   Share your organisation’s work (see themes above);
E.   Creative expression (see themes above);
F.   General participation;
G.   Tell your story to a ‘Born Free’ (Saturday)

IDEAS TO EXPLORE IN SESSIONS

We encourage reflections on the role of memory projects as places to connect, enact and sharpen acts of participatory democracy in two spheres:

  1. The collective reconstruction of a past that makes visible what colonialism and Apartheid Laws rendered invisible;
  2. The application of important lessons from the past in the present to strengthen grassroots agency and democracy;

How do we develop this into a codified body of practice for community-based organisations to use as a tool for developing our coherent voice in ‘a time of freedom’?

WHAT DOES IT COST?

R100 for one day or R150 for the entire symposium to cover teas, coffees, water, and the SUPPER CLUB.

REGISTER: http://goo.gl/forms/Sh63YH7SE3

FOR MORE INFORMATION: lornahouston@gmail.com

Contact the Museum:
Zahra Hendricks – reception@districtsix.co.za / 021 4667200 (during office hours)

Women’s films on Saturday to commemorate National Woman’s Day

To end off the Africa World Documentary Film Festival week, District Six Museum and UWC Education Department will host a day of films by women film makers: South Africans – Elise Fernandez, Nadine Cloete, Esley Philander; Haitian-American Rachelle Salnave; and self-described ‘multi-ethnic’ Jade Gibson. In addition, we will feature the Dan Yon biopic on songstress Sathima Bea Benjamin

SATURDAY 8 AUGUST 2015

12h00 – 17h30

DISTRICT SIX MUSEUM HOMECOMING CENTRE

15 Buitenkant Street, Cape Town

Background information: http://www.africaworldfilmfestival.com/

12h00 – 13h05 La Belle Vie: The Good Life (62 mins) Haiti, USARachelle Salnave  A story about a Haitian-American filmmaker, Rachelle Salnave’s journey to discover her Haitian roots by examining the complexities of the Haitian society as it pertains to the overall political and economic dichotomy in Haiti. Using her own personal family stories interconnected with capturing the voices of Haitians and experts overall, this film chronologically uncovers the rationale behind its social class system but also how it has affected the Haitian-American migration experience as well. With the proliferation of political turmoil, poverty, and now an earthquake shattered nation, the documentary beckons all to lay down their arms, be it the tangible weapons of death and pain or the psychological and spiritual tools of division and prejudice, and work as one to rebuild and prosper in the name of a new and stronger Haiti.This film in the end invokes the question whether or not its tragic event will shift the consciousness of all Haitians (living in Haiti or abroad) by motivating them to unite to build a new Haiti.
13h30 – 13h45 BREAK
13h45 – 14h15 THE GOLDEN YEARS (1): Maria April (24 mins)Courtesy of SABCDirected by Nadine Cloete

Produced by Elise Fernandez

Maria April – A story of an elderly woman who’s grandmother died years ago. Her bones were dug up by a white school teacher who used it in his biology class. Today the school says they own the bones and that the family cannot prove that the bones belong to them. All that is left of it is the skull and it is kept in a Typex box..Maria Cloete 2
14h30- 15h00 THE GOLDEN YEARS (2): Fatima Dike (24 mins)Courtesy of SABCDirected by Esley Philander and Elise Fernandez

Produced by Elise Fernandez

Fatima Dike – A story about the first black woman to become a published playwright. Sis Fatts (as we know her) deals with the loss of her son, her grandson and her brothers all being murdered at different stages of her life. She is a playwright and activist.33kultur-fatima_dik_713192a
15h00 – 15h30 THE GOLDEN YEARS (2): Katrina Esau (24 mins)Courtesy of SABCDirected by Nadine Cloete

Produced by Elise Fernandez

A story of an 80+ year old woman in the Norther Cape who is fighting to keep a dying language known as Nu! alive.Katina Esau
15h30 – 15h50 BREAK
15h50 – 16h20 WISH YOU WERE HERE (8 mins)Jade Gibson A material object is seen and categorised as a visual referent within the mind, where, linked with its contextual associations and other referents, it becomes part of visual memory, both individual and collective. This short art film explores how ‘objects’ in the past, as in photographs, books, experiences and film media, shape unconscious perceptions of how we encounter ‘objects’ in the present. In the case of the short art film ‘Wish You Were Here’, the object is myself. I present as an ethnographic art ‘object’, in order to examine the mis-identification and projections of others who create me as being of multiple and different ethnic identities and provenances. Although essentially a playful piece, the work also draws on and relates to more disturbing connotations; the phenotyping and determination of racial ‘types’ in the past and present, the deliberate construction in the composition of the ‘ethnographic’ photograph and film, and the impact of racial and ethnic stereotyping in the present, despite the world being increasingly presented as a more and more genetically and electronically interconnected space.Being of mixed ethnicity, apparently Scottish/Irish/Spanish and Filipino, yet growing up in the UK with adoptive parents and thus having no cultural knowledge of Filipino culture, and never having been there, I find myself constantly mis-identified by how I appear to others. This is often initially with absolute certainty by those who see me, as being identified as a number of different, and often quite diverse, ethnicities. Over the years, I was curious what images and associations might exist in the people’s heads who mis-identified me, and how these might interplay with images of ‘ethnic stereotypes’ shaped through images in the past, as well as present.
16h20 – 17h30 SATHIMA’S WINDSONG (54 mins)Dan Yon Sathima’s Windsong is about the life and times of South African jazz singer, Sathima Bea Benjamin, whose musical creations were often in the shadow of her husband, jazz musician Abdullah Ibrahim. The film is shot primarily in New York, Cape Town but opens with short of the Island of St Helena, birthplace of Sathima’s grandmother. It returns to the ocean to signal travel, ‘routes’ and jazz as metaphors for her life-history. In her apartment of the Chelsea Hotel Apartment, Sathima’s home for more than thirty years, she patches together her journeys from apartheid South Africa and its ‘patterns of brokenness’ to Europe, and a chance meeting and a recording with Duke Ellington in Paris in 1963, to the highs and lows of making a life for herself and family in New York. The narrative of her journeys is interwoven with her music and the reflections of folks in South Africa and New York who know her work thus making this film both a celebration of Sathima’s music as well as a reflection on the historical context that helped shape it. The film takes it title from Sathima’s haunting composition, Windsong, which, like this film, is itself is a reflection upon displacement, exile, belonging and longing.
CLOSING WORDS

AFRICAN WORLD DOCUMENTARY FILM FESTIVAL

AWDFF / DISTRICT SIX MUSEUM HOMECOMING CENTRE

1 – 8 August 2015

The E. Desmond Lee Africa World Documentary Film Festival is sponsored by the E. Desmond Lee Professorship in Africa/African-American Studies. Centre for International Studies at the University of Missouri, Saint Louis and the Center for Black and African Arts and Civilization (CBAAC), Lagos, Nigeria. Through the art of documentary filmmaking, the AWDFF is committed to the promotion of knowledge, life and culture, of the people of Africa worldwide.

District Six Museum co-hosts this Festival with the English Department of the University of Western Cape (UWC).

OPENING : Saturday 1 August
DISTRICT SIX MUSEUM HOMECOMING CENTRE
15 BUITENKANT STREET, CAPE TOWN

14h10 – 14h30: Welcome and opening remarks

14h30 – 14h50: LAND OF DANCE (17 minutes) / Idrissa Camara
Dancing is part of our identity, it’s part of who we are, how we express ourselves. Fara Ta – Land of Dance is a first attempt to document some of the dance practices in Guinea, West Africa and pose the question on what is meant by “traditional” African-dance. The film maker went back to Guinea to record the urban and village dance practices. Wales, the film maker’s new home country is often called the “Land of Song,” so then surely Guinea must be “the land of Dance!”

FareTa

15h00 – 16h30: LIFE IN PROGRESS (99 minutes) / Irene Loebell
In a rundown township near Johannesburg, three youngsters from troubled backgrounds are right in the middle of the great adventure of coming of age. All members of the dance group Taxido, which provides a living while improving their prospects, their days are filled with rehearsals and performances. In Jerry, founder, choreographer and manager of the troupe, in spite of his frightful past they find the guidance lacking from their upbringings. Seipati, 18, lives with her overburdened grandmother and is proud of the trophies she has received as the group’s dancing queen. Venter, 19, is relieved that dancing keeps him from the wrong path. Ladies’ man, Tshidiso, 20, always on the phone dealing with one of his eleven girlfriends, conquers not only girls but also Taxido audiences with his charm. The youngsters receive praises wherever they performe their wild dance routines, homegrown on the streets of their township, Though back in their hovels they face again the daily grind of poverty added to by the sometimes aggressive treatment Jerry uses to keep them away from the violence of the streets. But then the youngsters start to rebel when other interests take hold.

Twenty years after apartheid’s end, ‘Life In Progress’ delivers a close insight into the lives of three adolescents living in a rundown township called Katlehong, a Sotho word for “progress”.
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Contact reception@districtsix.co.za for more information
The rest of the District Six Museum programme:
Monday 3 August
18h10 – 18h35 DEEPER THAN BLACK / Sean Addo

23 minutes

A Ghanaian-American filmmaker looks to bridge the divide between his African pedigree and American birthright by confronting the question: ‘Who am I, and where do I belong?’ Born and raised in the United States to Ghanaian parents, Sean Addo, a product of two different cultures, African-American and African. Propelled by his fear of the loss of his Ghanaian culture, Sean sets off on his quest to clarify his identity. He looks to connect to his African heritage through dance, food, and language. In the process he challenges what it means to be ‘Black’ in America, and shares a similar story of the new American in a growing multicultural society.

18h35 – 18h45 BREAK
18h45 – 19h15 CAPE OF GERMAN HOPE / Anna Sacco

31 minutes

‘Cape of German Hopes’ is a journey into the life experiences of German families and people of German heritage settled in Cape Town, South Africa. It uncovers how they seek to open up to an African culture while keeping their typical Germanness. The film explores both the distinctive differences and the surprisingly similar historical parallels between Germany and South Africa. On a larger scale, the documentary also unpacks such complex topics as identity, trans-nationalism and acculturation. Treasuring one’s own cultural heritage becomes more important in an increasingly mobile society. Consequently, the documentary not only throws light on the local German community, but also attempts to show a blueprint of immigration cultures living all over the world.

19h15 – 19h30 BREAK
19h30 – 20h35 LANTANDA / Gorka Gamarra

63 minutes

The Creole is the language used daily by the majority of the population of Guinea Bissau. However, the creole does not have the status of official language. Musicians and writers of different generations explain through their songs why they have chosen this language as an instrument to express their feelings and transmit the social reality of the country.

Tuesday 4 August
18h10 – 18h25 MONEY 1955: THE EMMETT TILL MURDER TRIAL / Rob Underhill

15 mins

In “Money 1955,” international press descend on a remote Tallahatchie County, Mississippi courthouse and draw the world’s attention to the murder trial of two white men accused of the horrific lynching of a 14-year old black boy from Chicago named Emmett Till.

One actor, Mike Wiley, performs all 20 roles in reenacting the Emmett Till murder trial. It is a true-crime story crafted from the actual court transcripts.

18h25 – 18h45 BREAK
18h45 -20h15 POVERTY INC / Michael Matheson Miller

94 minutes

Fighting poverty is big business, but who profits the most? The West has positioned itself as the protagonist of development, giving rise to a vast multi-billion dollar poverty industry of NGOs, state and multilateral agencies, and for-profit aid contractors. The business of ‘doing-good’ has never been better.

Unfortunately, the results have been mixed, in some cases even catastrophic, and leaders in the developing world are growing increasingly vocal in calling for change.

Drawing from over 200 interviews filmed in 20 countries, Poverty, Inc. unearths an uncomfortable side of charity we are all too tempted to ignore. The film invites the viewer to step into the shoes of local entrepreneurs and their colleagues, parents and their families, with expert commentary from public leaders, development economists, anthropologists, and others.

From TOMs Shoes to international adoptions, from solar panels to U.S. agricultural subsidies, the film challenges each of us to ask the tough question: Could I be part of the problem?

Wednesday 5 August
18h10 – 18h50 UNFAIR GAME: THE POLITICS OF POACHING / John Antonelli

37 minutes

Can wildlife conservation efforts go too far? Is killing people ever a just punishment for hunting wild animals? ‘Unfair Game: The Politics of Poaching’ documents what happens when measures to protect wildlife are in direct conflict with indigenous peoples’ land rights, human rights and their very own survival.

The documentary explores conservation and sustainable development as a viable method for safeguarding the human rights of indigenous peoples whose traditional homelands are bordering wildlife refuges and nature conservancy. The film also shows the limitless positive repercussions when native people and animals are both valued and respected.

18h50 – 19h15 BREAK
19h15 – 20h30 GOLD IS HERE / David A. Masterwille

71 minutes

‘Gold is Here’ explores the lives of artisan gold miners in the rain forests of Ghana. The film takes a critical look at villagers who have been shot and have suffered serious gun injuries while defending their lands from illegal mining. The film also focuses on the women who ferry ores from dangerous pits and process them in poisoned waters as their means of livelihood. And in particular, it sheds light on the involvement of children mining in abandoned and collapsing mine pits. For most of these children, mining in sometimes mercury-infested streams has become their only means of raising revenue to cater for their elementary school needs. As a result, some suffer serious water borne diseases, which mostly go untreated for years, and in the process, impede their physical and educational development.

Thursday 6 August
18h10 – 18h20 DIRTY HANDS / John Goheen

8 minutes

In many African countries garbage is an ever increasing problem. In Uganda’s largest city, Kampala, roughly 800 tons of trash is generated each day. With limited government programs to deal with trash, some enterprising citizens have taken to the streets with profitable solutions in some unexpected ways.

18h20 – 18h55 MAESTRA / Catherine Murphy

33 minutes

Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. The documentary explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island – and found themselves deeply transformed in the process.

18h55 – 19h20 BREAK
19h20 – 19h30 NOISE RUNS / Kim Borba, Ashley Panzera

18 mins

In the aftermath of the 2010 Haiti earthquake, failed reconstruction has pushed social unrest to the breaking point. Protests erupt in the streets, and armed UN soldiers stalk the angry crowds. But a group of young Haitians, driven by their passion for a new Haiti, is sparking social change. To democratize information and offer hope to the population, they produce a radical newspaper, Bri Kouri Nouvèl Gaye (Noise Travels, News Spreads).

The documentary follows this team of idealistic citizen journalists as they confront the problems that NGOs and government could not solve. Undaunted by the threat of an oppressive government, they maneuver their way into prison to visit a political prisoner and unravel the story behind his illegal arrest. Unfazed by the downpour of Tropical Storm Isaac, they take us into the tent camps of Port-au-Prince to investigate the housing crisis that has left more than 150,000 people homeless. With youthful optimism, they strive to catch international attention via Twitter and YouTube. Their on-the-ground accounts take the audience beyond the characterization of Haiti as “the poorest country in the Western Hemisphere,” putting a human face on the statistics and challenging stigmas of victimhood. ‘Noise Runs’ is a story of triumph over repression and a testament to the power of hope.

19h30 – 20h40 VILLAGE OF PEACE / Ben Schuder, Nicholas Philipides

68 minutes

‘The Village of Peace’ reveals the untold story of the African Hebrew Israelites, an incredible group originally from Chicago, now thriving in the Israeli desert. The stories and perspectives of four Village members are woven together to illustrate a place unlike any other; a community enlightened by ancient scripture and determined to prioritize ‘life’ in its purest form. Their unique culture evolves from an uncommon interpretation of the Torah (Hebrew Bible), embedded in their foundation, principles, and daily lifestyle practices that includes polygamy, natural birth, veganism, and a rigorous emphasis on health.

Although the community is growing in numbers, recent immersion into the Israeli Army leaves the youth susceptible to outside influences. Ultimately we learn about the struggle to preserve the African Hebrew culture, and the challenges of passing their traditions to future generations.

Friday 7 August
18h10 – 18h25 A DAY IN THE SUN / Nerina Penzhorn

13 minutes

The Daily Sun is the most widely read tabloid newspaper in South Africa. ‘A Day in the Sun’ takes a poetic look at the stories behind the headlines. The film contrasts the often flippant headlines with the hardship that the subjects of Daily Sun stories often experience and shows the detrimental effect that reporting on the suffering of others has on Daily Sun journalists.

18h30 – 18h45 SEE ME NOW / Glen Mackay

13 minutes

‘See Me Now’ is a fashion film inspired by the quote – “The darker the skin, the uglier they’re considered”.

Upon hearing that, the film maker called upon models and designers of color to showcase the beauty of dark skin. And to send a message that beauty comes from being comfortable in your skin. See Me Now is a fashion film inspired by the quote – “The darker the skin, the uglier they’re considered”.
Upon hearing that, I called upon models and designers of colour to showcase the beauty of dark skin.
And to send a message, that beauty comes from being comfortable in your skin.

18h45 – 19h15 ROAD TO RIO / Nathan Erasmus

52 minutes

In greater Fortaleza in the north of Brazil there were 12,777 children and adolescents recorded to be in child labor, living and working on the streets in 2013. ‘Road to Rio’ follows 9 of them who won the chance to play in the 2014 Street Child World Cup. The film follows as the children go on an inspiring, emotional and often amusing journey while preparing and playing in the tournament.

This is more than a fascinating window into the lives of street children; this is their chance to shine!

District Six Museum’s May Supper Club presents TERRY FORTUNE

Meet Terry Fortune over a supper of tomato bredie and rice, with sago pudding for dessert followed by coffee and tea. A welcome drink will be served on arrival

THURSDAY, 28th MAY 2015

18h00 – 20h00 sharp

District Six Museum Homecoming Centre

15 Buitenkant Street, Cape Town

Tickets are R 150 per person, and should be booked in advance by emailing reception@districtsix.co.za or calling Zahra on 021 466 7200

Terry Fortune is a veteran of South Africa’s music and entertainment industry. He was born in the year that the National Party came to power – 1948. He went on to defy the Calvinist conservatism that dominated society and became the first black man to choose ‘female impersonation’ as a vehicle for his alter ego and career.

Terry has worked and travelled extensively throughout Southern Africa, Europe, Brazil and the UK.  A remarkable aspect of his career is that he worked mainly in the ‘straight’ entertainment market as opposed to the ‘gay’ market where this kind of entertainment is most welcomed. He performed in drag at both the Namibian and Mozambique Independence, and at the ultra-conservative ‘Dutch Reformed Church synod conference’.

Terry has appeared in cabaret, extravaganzas, musicals and in 2009 won the Fleur de Cap award for ‘Best performer in a musical’ for his role in Songbook.

Recently he started writing his autobiography as a series of Facebook entries entitled   ‘Faces of ‘Fortune’ and spends his free time nurturing young artists and teaching them life skills.

With the kind support of BRIMSTONE