The District Six Experience: A Walk Through Time

District Six Museum forges historic partnership with Loud Rabbits Agency and Academy Of Digital ArtsGame Alum for New VR Exhibit Experience

The District Six Experience: A Walk Through Time

A VR experience brought to you by the District Six Museum, The Academy of Digital Arts and Loud Rabbits.

Loud Rabbits Agency and the Friends of Design – Academy of Digital Arts Game Course Alum, in partnership and close collaboration with District Six Museum, is set to unveil a groundbreaking virtual reality (VR) experience in 2024, commemorating the museum’s 30th anniversary.

The virtual experience invites users to immerse themselves in and experience parts of District Six. Its purpose is to express South African history and connect to legacy through a new lens using cutting-edge game technology.

“Crucial to the work that we do in curating memories of the past, is the need to respond to a world that is fast replacing tangible experiences with virtual ones. We embrace the onset of virtual reality through the District Six Museum’s position as an evolving institution that emphasises progress.”

Zeenat Patel-Kaskar, Executive Director, District Six Museum

 “The District Six Museum project is an incredible opportunity for The Academy of Digital Arts’ game development students and alum. Not only will they be able to add an innovative and unique interactive media project to their CVs but they can also prove that South African interactive media and game developers are absolutely ready to compete on the international market.

Lars Espeter, Game Graphics & Multimedia Entertainment Course founder, ADA.

“My profound sense of curiosity in learning about virtual reality bore significance in this collaboration. I want to inspire the next generation which I believe this project offers.”

Dean Jates, Sound Archivist, District Six Museum

This partnership not only showcases student talent but also offers a platform for meaningful contribution to the District Six Museum’s historical narrative. April 2024 will see the project’s first test with former District Six residents, a pivotal moment before the anticipated May 2024 launch.

The District Six Experience: A Walk Through Time, a VR experience brought to you by the District Six Museum, The Academy of Digital Arts, and Loud Rabbits, celebrating 30 years and beyond, is set to debut at an exclusive event on May 4th 2024.

Stay in touch while Loud Rabbits Agency, ADA Game Course Alum, and District Six Museum establish a new way to experience history, merging past and future through innovative VR technology.

For District Six Museum:

Chantal Porthen (office administrator / reception),

(021) 466 7200

reception@districtsix.co.za

or Dean Jates (sound archivist)

(021) 466 7200

dean@districtsix.co.za

For Loud Rabbits Agency / The Academy of Digital Arts:

Erin Kemper (Head of Design | Digital Marketing and Content Creation)

erin@loudrabbits.co.za

Heritage deferred, heritage denied.

Last week Friday, the District Six Museum planned a Heritage Day programme for its 7 for 7 fundraising campaign, to take place at the Harrington Square parking lot behind the Museum. We invited the BM Squad SA for a park off, and the would feature mainly speakers, including Clarence Ford, Ready D. Two DJs (Miss Dee and DJ Pic-es), who would book end the programme. We asked permission from Woodheads, a local business who leases the parking lot from the City. In the run up to the programme we also contacted the City to check if we needed permissions – we were advised that we do not.

On the morning, a resident / business owner in the square objected to the sound check we were doing, and then took his complaint to Woodheads, who then refused permission for us to continue with the programme. A colleague and I spoke with the Woodheads representative, indicating that we would move parts of the programme to our building, the Homecoming Centre, and asked that at least the speaking portion of the programme continue on the square. This was refused.


The District Six Museum would like to clarify the following:

  • There was no intention to negatively impact on anyone on the day. It was a fundraising event, car owners would park in the square and participate in the programme, helping us to fundraise. We were accused of intending to throw a ‘party’ and that simply is not the case.
  • We understand that during sound check, the business owner objected, and we tried to compromise, but the level of verbal aggression aimed at Museum staff is unacceptable.

As South Africans we use Heritage Day to speak about the ‘cultural wealth’ of the nation and we are told to celebrate tolerance and diversity, but repeatedly we have to fight to use spaces in District Six – spaces that people were forcibly removed from.

Harrington Square is not a parking lot or just an open space to us – it had a church, a printing works and homes on it.

Harrington Square parking lot. (Donor: Jean Melville)

We are continuously made to feel that by not following the ‘rules’ of the City, that we may not access it or use spaces that once belonged to us. These rules are enacted as bylaws, but are also the unspoken rules of class and privilege. We speak about inclusion and working for the future of District Six, but for those businesses situated in the area, relying on these ‘rules’ makes it too easy to prevent black people from accessing spaces. This blocking off of access is not about permits: it’s about people feeling uncomfortable when black bodies occupy spaces they feel only they can manage access to or have ownership of.

I want to emphasise: the issue is not about a noise permit (we were willing to split our programme). It is that in the moment, when approached, District Six Museum staff felt stereotyped and verbally abused and were then shut down.

When we speak about restitution in District Six, it is not just about housing. It is about how we all come back to the city to celebrate community, to feel that we have ownership.

We want to feel that our bodies are not policed and blocked from celebrating the deep legacies of our communities – on Heritage Day of all days!

My colleague Matthew Nissen has written a blog piece reflecting on the experience of the day: https://courantevandiekante.wordpress.com/2021/09/24/heritage-deferred-heritage-denied/

The struggle for District Six continues.

Chrischené Julius

Acting Director

District Six Museum celebrates the life of George Hallett (1942 – 2020)

The District Six Museum’s staff and trustees would like to pay tribute to our dear friend George Hallett, who passed away last week at the age of 78. Some of the most famous and beautiful photographs taken of the people, life and places of District Six were taken by George. His creative genius has been a source of inspiration and comfort to all in the broader District Six Museum community. We acknowledge and cherish his relationship with the Museum and his contribution to it.

George’s earliest memory of District Six was as a young boy:

‘I was first taken to District Six by my grandmother, when she went to visit an aunt who lived in Bloemhof Flats, a short distance from Castle Bridge. For a six-year old it was a long and delightful journey in two buses via Wynberg from our playground village of Hout Bay.’

After matriculating from South Peninsula High School, where he had met District Six writer Richard Rive, George started his photographic training as a street and social photographer. He worked out of the Palm Tree Studios in Hanover Street, under the tutelage of Kariem Halim, the studio’s owner.  During the late 1960s George documented District Six and its people.  Very few photographers in this period captured District Six in a way that elevated this community to beyond simply being the ‘other’.

District Six Revisited exhibition poster, 1997

 

In 1994, after many years in exile in Europe and the United Kingdom, George returned to South Africa to capture the unfolding of our first democratic election. His support for the Museum took the form of the District Six Revisited exhibition and the creation of a series of portraits of former residents he termed District Six ‘survivors’. Captured against the background of the Museum’s memory cloth, his portraits captured powerful moments of truth and intimacy.

Nomvuyo Ngcelwane, author of Sala Kahle , District Six, 1998

Mr Maisels and Mogamat Benjamin, 1998

Noor Ebrahim, 1998

His earlier work on District Six was collated in the 2007 photographic book, District Six Revisited, alongside the images of fellow photographers Jackie Heyns, Clarence Coulson, Wilfred Paulse and Gavin Jantjes.

We send our love and condolences to the family and friends of George Hallett.

MEMORY IN A TIME OF FREEDOM

In October 2015, the District Six Museum partnered with the Steve Biko Foundation to organise a symposium entitled- ‘Memory in a time of freedom’. Denis Goldberg was invited to be the keynote speaker on the opening day of the 3-day event.

Today, as we mourn the passing of this wonderfully principled stalwart, committed to the arts, to young people and most importantly to a life of integrity, I would like to share the text of his talk which was presented at the District Six Museum Homecoming Centre on 23 October 2015.

 

DENIS G AT D6M HC BY Y KAMALDIEN

Denis Goldberg at D6M Homecoming Centre. Photographer: Yazeed Kamaldien

For a symposium at the District Six Museum on 23 October 2015

By Denis Goldberg (Rivonia Trial No. 3 Accused)

It is over twenty years since the apartheid state with its policies and practices of racism by law was brought to an end. The consequences of that system which the United Nations declared to be a crime against humanity persist in South Africa and indeed throughout Africa which experienced colonial rule, and eventually nominal independence under neocolonial domination.

That the present generation of young people is generally unaware of the nature of our history and its effects on their parents and grandparents is a reality. Recognising this National Ministry of Tertiary Education has created a National Institute of History and Social Sciences. I notice too that the ruling party has recently decided that the Ministry of Basic Education to prepare for history to be a compulsory subject up to Grade 12 and not only up to Grade 10 as at present.

Many people say that we should know our history so that we should know where we have come from and thus know where we are going in the development of our society and our nation. It is however more important to stress that we have to decide where we are going and how we are to get there in reconstructing our society.

We do not start with a blank slate. Our past, our history, has written much that influences how we think and how we feel. It is also clear that our history has left us divided into various groups based on the past racial discrimination and related social class positions so that it not so easy to ensure a unified approach to the fundamental issues of a society in a state of constant accelerated change.

We have a whole fleet of museums, places of memory of a time of “unfreedom,” a time of people being oppressed and people who were oppressors as well as those who collaborated with the oppressor and those who opposed their own group of oppressors.

Shortly after liberation the National Department of Arts and Culture published a massive volume listing “all” the museums in the country. Of course there were museums to the life of the dominant group, some state or local government owned and financed, and also many privately endowed museums.

There were museums such as the large art galleries in the major cities that reflected the artistic values of the colonial era seldom showing the works of artists from the ranks of the historically oppressed. Some went abroad to develop their talents and achieve recognition.

Many of these galleries and museums are consciously changing their exhibitions both permanent and special to reflect the attitudes, talents and abilities of a whole spread of emergent artists working in a wide range of media and of all classes and ethnicities. That in itself is a liberatory influence on the minds of people and important in restoring the dignity of our people.

But especially significant for our topic today is the range of museums dedicated to showing the nature and details of the oppression under apartheid, but also museums dedicated to showing what forces there were in the struggle to end apartheid.

The Apartheid Museum in Johannesburg and the District Six Museum in Cape Town are examples of those that show the nature of the mass oppression.

The Red Location Museum in the Nelson Mandela Metropole (Port Elizabeth) records the lives of tens of thousands of migrant workers living in a barracks without their families.

The Robben Island Museum shows what Ahmed Kathrada who was imprisoned there after the Rivonia Trial calls “the triumph of the human spirit over adversity.”

The Liliesleaf Museum presents the coming together of political leaders and activists who worked together to plan the means to overthrow the apartheid system.

Freedom Park in Tshwane (Pretoria) shows what apartheid was like and records great moments in the liberation of our country. It also reflects in its architecture a clearly African style of monumental buildings. There are walls recording the names of those who took part in the struggle for freedom and have died during the struggle and since 1994. Interestingly the names of soldiers of all colours who fought to overthrow the Nazi armies of World War 2 and thus defended the possibility of achieving a democratic state are also recorded.   Freedom Park is strategically sited on a koppie opposite the Voortrekker Monument to racial conquest and oppression,

Then there are other museums such as the Mandela Museums at the Nelson Mandela Foundation in Johannesburg, at Qunu and Mtata, the Stephen Bantu Biko Centre at Ginsberg, Kingwilliamstown and other museums.

I must add that the blind hero worship of our heroes does us a disservice and takes away the true greatness of for example Nelson Mandela. In his case the narrative in the popular media is that a person revered as Saint Madiba single handedly presented us with freedom with his own bare hands. Furthermore it seems as though he had time in prison to reflect and that he found the right attitude of friendliness and the right words to persuade the last apartheid presidents, Botha and de Klerk to release him and set us all free. But the real greatness of Mandela is his membership of an organization with a long history of principled positions on the nature of our future democratic, non-racist, non-sexist state and society. His style of collective leadership was striking especially with his brother in arms OR Tambo who led the leading liberation movement for thirty years of exile until the dawn of freedom when he passed away from a massive stroke.

Mandela and Tambo both showed remarkable analytical abilities to find new strategic and tactical responses to the ever changing conditions of our struggle and that is the real measure of their qualities. Their ability to mobilize tens of thousands of people in South Africa, in the front line states and in the anti apartheid solidarity movements in many countries was the key to success. It was not the work of an individual. Think of the more than 130 activists hanged under the security laws; of the more than a thousand people tortured to death or simply “disappeared” at the hands of the security forces; think of the tens of thousands of years of imprisonment of activists sentenced in the apartheid courts or simply held in detention without trial; and think of the thousands of activists who lived under appalling conditions in exile in many countries in Africa training and retraining and always posing a threat to the apartheid forces,  and of course we remember the heroic battles against superior forces of our armed liberation fighters. In the end there were as many as 2 million activists in the United Democratic Front inside South Africa as well as underground activists. It is these vast numbers who defeated the apartheid regime. Idolizing Mandela as THE SAVIOR demobilizes our people who together in organized formations are the real force for transformation. This, for me, is the key memory to bear in mind in our time of freedom.

I believe during his life Stephen Bantu Biko’s determination to achieve freedom for his people led him to an interpretation of Black Consciousness that is summed up in the expression: “To be free one must believe that one can be free.” That is, he rejected the racist view of the dominant white group that black people were incapable of being free. In asserting his equality he was accused of an inverted racism but like the intellectuals who formed the ANC Youth league in the 1940s he and many others with him came to recognize the common humanity of all people.

There are many other symbols of memory: The Biko Monument outside the Town Hall in Buffalo City; the Robert Sobukwe House on Robben Island; The Hector Peterson Memorial in Soweto representing the hundreds of school students killed by the apartheid forces during the uprising against the imposition of more apartheid regulation of education in 1976.

This is not a comprehensive list of course. They are simply examples of the kinds of institutions of memory that exist. We can add that streets named after leaders and activists are also reminders of what freedom cost in the way of effort and sacrifice. I am sure that most people do not notice the names nor ask who the people were.

To these examples we need to add the National Archive in Pretoria, the archives held by the South African History Archive (SAHA) at Wits University; the documentation made available through South African History Online (SAHO); papers held at various universities including the ANC Archives at the University of Fort Hare. I am sure there are many other archives. We need to have them coordinated at least through online catalogues which should eventually be combined.

The memoirs, autobiographies and biographies of those who took part in making the history of our country are a collective source of memory of a multiplicity of people and groups who have been liberators and oppressors and those who swung with the wind in our intense political history. And of course there are the standard history books used in educational institutions from which we can glean an understanding of the attitudes of the past.

What we lack is a sense of our history so that young people today cannot grasp, for example, the intensity of the conditions during the four years of negotiations from 1990 to 1994. People were being murdered on a daily basis as the apartheid forces tried to turn the clock back. During those four years 10000 and 12000 people were murdered as they tried to stop the process of a negotiated settlement of the key political element of those times: the political representation of all our people in all the elected and appointed institutions of government so that the aspirations set out in the Freedom Charter and now enshrined in our Constitution could be achieved.

We lack also the histories of certain aspects of our lives: for example education and where we were in 1994 with 14 Departments of Education with totally different norms of service and employment based on race and geographical/spatial distribution. Similarly I do not know of easily accessible histories of medical care and health care provision. If we had those two histories we would see that we have indeed come a long way in only twenty-something years.

My own contribution to the processes of memory in a time of Freedom is my autobiography The Mission: A life for Freedom in South Africa; and indirectly a commemorative volume called Denis Goldberg Freedom Fighter and Humanist written for my 80th birthday by a large number of friends and comrades I worked with. But on a less personal note, I spend a lot of time delivering talks in schools and universities and to interested adult groups here at home, to foreign visitors, and internationally.

A mobile exhibition entitled The Third World in the Second World War researched and widely published in Germany has, at my request, been translated into English. After years of endeavour we have now been promised the funds to have it produced in English here in South Africa with the intention of exhibiting it in various venues across the country and eventually throughout Africa. Why? Because it reveals what is forgotten in the received narrative of those times: namely the huge contribution made for instance by Africa and Africans to defeating the Nazi forces in Europe and in Japan. Did you know that more soldiers from the third world countries and colonies fought in the Second World War than soldiers from all the European countries combined? Did you know of the enormous sacrifices of forced labour to provide foodstuff and raw material made by the Third World? The exhibition is about restoring the dignity of the African people and people from South East Asia and the Far East who liberated Europe and our whole world from fascist oppression.

We need to know our history. More important is that we should make our history, or better still histories, known to all our people so that we understand the roots of our society and what we have to deal with. We have to find ways of doing so. Exhibitions, yes. But we need sponsored visits by young people in large numbers by the coach load. But only those who live nearby will see them. Therefore mobile exhibitions that can be set up near to where they live are necessary. Television short topics broadcast live streamed to schools must be looked at. A lot can be told in 10 minutes. The topics need to be repeated in new ways, constantly. We need to think of virtual exhibitions that can be made available on memory devices such as DVDs and flash drives.

THERE IS LOTS TO DO. LET US DO IT!

I want to thank the District Six Museum and the Stephen Biko Centre for co-hosting this symposium and for inviting me to address you today.

Vacancy: District Six Museum Director

Do you want to be part of a cutting edge heritage institution? Would you like to join a dynamic and creative staff team who are committed to telling the story of forced removals in Cape Town and South Africa, and exploring contemporary legacies? If you are passionate about these issues and if you have the following skills, you should consider coming to work for the District Six Museum.

A. Purpose of job

  1. To provide strategic leadership to the organization in consultation with the Board
  2. To manage the execution of the Board’s decisions, especially strategy implementation
  3. To lead and manage the organisation’s progression toward sustainability

B. Key responsibilities

  1.  Organisational management and leadership
  • Resource mobilisation
  • Liaise with donors
  • Exercise financial oversight
  • Liaise with the Finance Manager to ensure effective financial administration
  • Oversee the drafting of budgets, funding proposals, financial and activity reports
  • Facilitate the conceptualisation, development and implementation of the organisation’s strategy to achieve it’s vision
  • Manage the activities of the Board of Trustees including its communication needs, ensuring Board participation in the organisation and assisting in its development
  • Ensure the organisation is legally compliant
  • Ensure that organisational planning, monitoring and assessment is routinised
  • Participate in local and international conferences and other knowledge-making forums where costs can be covered

2.       Operational management

  • Fundraise to support the implementation of the operational plan
  • Recommend policies to the Trust for effective operations
  • Alert Trust to issues that are potentially strategic or problematic in terms of achieving the organisation’s goals
  • Oversee the general operations of the Museum including staff performance together with the Operations Manager

3. Programme implementation

  •  Supervise and mentor programme staff in achieving their deadlines and project activities
  • Ensure completion of tasks to achieve programme goals
  • Recruit and orientate new programme staff with the relevant Programme Manager

 C.  Education and experience required

Education

Relevant 3-year degree or equivalent
A post-graduate qualification or equivalent would be an advantage
5 years experience in a job which has similar levels of responsibility

Knowledge

Knowledge of participatory democracy and the South African political context Experience in donor management, strategy development and financial management
Knowledge of the non-profit, heritage and human rights sectors

Critical Dimensions

  • Demonstrated commitment to Museum’s values
  • Leadership skills
  • Fundraising ability
  • Interpersonal skills
  • Political acumen
  • Project management experience
  • Organising ability
  • Valid driver’s licence

D. Application process

Send your application with two written references and a covering letter which indicates date of availability and required notice period in current job, if applicable.                  Email to  District Six Operations Manager, Ms Nicky Ewers, nicky@districtsix.co.za

Closing date: Friday 24 January 2020

‘Proudly South African: Dullah, Essa, Us’

On Saturday 6 July 2019, a full-house at the District Six Museum gathered to pay tribute to two legal icons who both had a historic connection to District Six during the course of their lives.

Chair of the Museum board of trustees Judge Siraj Desai, spoke of the unflagging commitment of both late Minister Dullah Omar and Judge Essa Moosa to issues of social justice and transformation both under Apartheid and in the new democratic South Africa. They were active and engaged until the end.

Their portraits in the upper gallery of the Museum were unfurled by family members, and they now look down on us together with others such as Cissie Gool, Clements Kadalie, Naz Ebrahim and John Gomez.

DSC_0173DSC_0179Dr Allan Boesak was the guest speaker, and his words enthralled and inspired the attentive audience.

The full text of his speech follows below.

PROUDLY SOUTH AFRICAN: ESSA, DULLAH, AND US

District Six Museum

July 6, 2019

 I

Honourable Judge Siraj Desai and the Board of the District Six Museum,

Family of Essa and Dullah, Friends, Brothers and Sisters:

What a privilege and honour to join you today in rejoicing in the life and work of two such remarkable and outstanding South Africans, in life friends to all of us gathered here this afternoon: Dullah Omar and Essa Moosa. And what an entirely proper, and absolutely well-deserved gesture from the District Six Museum. Thank you!

As a rallying cry, the words “Proudly South African” have, it seems, lost their glitter; for too many of us perhaps, it is now the meaningless slogan of an airline that has become a perpetual problem rather than a proud symbol. It is, for too many, something we sneer at on the airplane when the food comes, or when our flight is so late it made us miss something important at home. It does not help if I tell those compatriots that flying on any United States airline is infinitely worse. They can always find another reason for their irritations.

For those South Africans, “Proudly South African” is a bitter-sweet joke in light of the incomprehensible levels of corruption at our parastatal enterprises, government departments and state entities, offering us no succour at all during the ongoing, mind-numbing days of the Zondo Commission and its shocking revelations. The mere word “Bosassa”, every time it is uttered, has been stripping us of too much of our rightful pride, it seems. More than just a symbol of corruption, or an indication of internal cannibalism, we now know how cankerous, how endemic it is to our entire body politic.

I think it is better to not mention the word “cricket.”

But today, in this place where sacred memories are kept and honoured, and where hopes for the future are nurtured, we are honouring two persons who rightly and righteously have given meaning to the cry, “Proudly South African.” For what is it that makes a people great? What does it mean when we are able to stand and fight for what we believe in, to be mown down but not blown away by the forces of evil? What is it when we struggle and fall, and stand up to fight again, to cry through our tears, “the struggle continues?” What does it mean when we are able to grab history by the scruff of the neck, wrenching it from the hands of the powerful and the mighty, turning it around, placing it with confidence in the hands of the people, and see justice triumph? To me, that is what it means to be proudly South African.

And it all comes together in the lives of these two friends and comrades. For me, both in personal terms and as comrades in the struggle, they personified and defined what should be unabashedly striven for and held up as the gold standard for our lives and the life of the nation: patriotism undefiled by cynicism, comradeship elevated by companionship, friendship purified by fire, political commitment leavened by personal integrity, love for our people girded by love of compassionate justice. That is what it means to be “proudly South African.”

When these two men died, we felt deeply, tragically, and radically diminished. How shall we become whole again, we asked; how shall we continue without them, where will we find someone to replace them? And looking back over our most recent past, we realize with a sense of shock that these were not idle questions, asked in a moment of deep sorrow and loss. These are some of the most relevant and urgent questions facing us today.

Essa and Dullah, separately and together, were such a large, commanding presence in our struggle for liberation, in the life of the nation, and in the lives of the countless people who found in them a comrade, a counsellor, a friend, a source of strength, and a brother. In ways we have known for as long as we have known them, and in ways we are only now discovering since their passing, and are sure to discover in the years ahead, Dullah and Essa have deepened and elevated our struggle, gave sense to what we were doing, and why we were doing it, provided direction and guidance, helped us discover the deepest purpose of our lives. Both of them taught us not only to know that we are in a struggle, but why we are in that struggle.

Essa Moosa and Dullah Omar were extraordinary human beings in their own time. They are even more so today. Some people say they live for the struggle. That is something we all understand and respect. They say they are driven by passion for the struggle and that passion is exclusive, single-minded, and one-dimensional. In that passion the ends are all – means do not matter. In that passion all attention is focused on what is sometimes called the “end-game”. Pain, sacrifice, even death, are not wilfully ignored or trivialised, but rather reduced to historical determination, political inevitabilities, unavoidable outcomes. Loss is calculated to serve the greater good, and therefore could be turned into possible gain. For the struggle.

But in some incredibly moving, and convincing way, Dullah Omar and Essa Moosa, each in their own way, were not like that. Not only were they – in practical, political, strategic ways – at the heart of our struggle; without them, it always seemed to me, the struggle would not have had a heart. Essa and Dullah were entirely inside the struggle, but for them the struggle was not merely about goals and ends; not simply about tactics and strategies; outcomes and calculations. For Essa and Dullah, the struggle was always about the people – their plight and their pain, their fights and losses, their hopes and dreams, their rights, their aspirations. They never turned the people’s sacrifices into slogans or the people’s dreams into political commodities. They counted the tears of the mothers, they gathered the fears of the fathers and the cries of the children in the greatness of their hearts, and this made these two comrades into the formidable foes of injustice we all knew. Essa Moosa and Dullah Omar clothed their passion for the struggle in the combative compassion for the people.

That is extraordinary.

The struggle made no sense without the people – this they knew; it had no meaning and no future if it did not carry, and cherished within it the hopes of the people. They believed that without compassion the struggle had no heart. Their love for the struggle was unthinkable without their love for the people.

That is extraordinary.

Over the years, thousands came to them for help not just because the people knew they would find help, but because the people knew they were loved. Thousands did not find it strange or unbecoming to call upon them day and night; not because they could pay them, but because they knew they were loved. And because they knew that, parents knew they could trust them with the lives of their children, and young people knew they could trust them with their dreams. To all the human rights they fought for, they added one more: the people’s right to trust their leaders, and they knew that trust had to be earned. So they set the example.

Thinking of our recent history, and looking at global politics and what is strutting around on the world stage, we now understand better just how extraordinary that is.

For Dullah and Essa, the struggle was not simply about what the people needed; instead, they asked what the people deserved. They knew that if we worked merely with the people’s needs, we make them dependent on the powerful who first caused that need and then determined how that need should be responded to. That, as Adam Small put it, would have made the struggle a form of begging. If we asked what the people deserved however, we honour their lives and their sacrifices, we honour their aspirations and their humanity, we honour what a just and merciful God meant for them to have, namely a life of freedom, justice and fulfilment; and choices. In that way we also honour their dignity and their agency.

Essa and Dullah truly ubuntified our struggle.

In my long relationship with both men, I saw them become genuinely distressed when they saw wrongs they could not right; an injustice they could not fight or change; an indignity they could not rectify. How we need such noble distress today. Noble, because it is a distress not about themselves but about others, the vulnerable, defenceless, powerless others. Today we are more likely to find distress about some form of entitlement not being satisfied, about greed uncovered too soon, about self-interest too prematurely thwarted, or about power exposed as abuse.

All of you have known these two comrades. All of you at some time or another, have marvelled at their humility. Fortunately, that is a quality shared by some others we know as well. But I have discovered that even their humility was unique: it was not a humility that paralyses, because it feeds on false modesty and unacknowledged fears. It never extinguished the quiet fires of outrage against injustice. It showed itself in the gentle audacity of hope; in the unassuming persistence that might shall not prevail, in the insistent determination that the voiceless shall be heard, the powerless shall find strength, that justice shall triumph.

Their humility did not stifle or smother their righteous anger against oppression. Rather than make them slink into the safe corners of silence, it made them raise hell. It also made them raise pertinent, important, and inescapable questions.

 

II

I thought about this as I was reading that great African American scholar, activist, and Pan-Africanist, W.E.B. DuBois. In 1957, six years before his death, in The Ordeal of Mansart, Book One of his still fascinating three-part work, The Black Frame Trilogy, W.E.B. DuBois posed a series of questions that, already challenging in the struggles of his day, would become increasingly so for the times that followed; ours included.

“How shall integrity face oppression?” he asked. “What shall honesty do in the face of deception? Decency in the face of insult, self-defense before blows? How shall [courage] and accomplishment meet despising, detraction, and lies? What shall virtue do to meet brute force?”

These are questions, we are discovering, that were not only pertinent to the situation in the United States, from where DuBois was writing and where Dr Martin Luther King Jr. and the black masses of America answered them so magnificently in the Civil Rights struggle. DuBois’ voice has been, and is still calling to us, everywhere, in every generation. Even if we did not consciously think about DuBois, (as much as we did about Franz Fanon, for example), these were the very same questions our generation were faced with, and were called upon to answer. They have grown in urgency, these words; became immortal words that challenge the very core of our being, the decisions we make about the most urgent matters in life, the way we face the global struggles for justice, freedom, equality and dignity in our day. Indeed, they determine the way we embrace our humanity, for how we respond will tell us what kind of human beings we are, the depth of our commitment to a humane, just, and peaceable world. Dullah Omar and Essa Moosa not only heard these questions, they asked them of us and of themselves, and they answered them, each in their own way, for generations to follow.

The world of imperial domination in which we live today, in the words of Helmut Gollwitzer, pastor of the Confessing Church and resister against the Nazi’s and speaking of his own times, is a world “shaken by deadly convulsions.” Let’s think about this for a moment. The combined wealth of the world’s richest 1% overtook that of the other 99% in 2016. More than half of the wealth in the world was then in the hands of just 62 individuals, more than is owned by the entire 3.5 billion of the world’s population. But this is what Oxfam said in 2016. That is now old news. The year 2017 had scarcely started and we had to revise our statistics. In January 2017 Oxfam reported that the situation was much worse: just 8 white men own as much wealth as half the world’s population. One in nine people do not have enough to eat and more than 1 billion people live on less than $1.25 a day.

This year Oxfam reported that in 2018 billionaire fortunes grew by $2.5 billion a day while the 3.8 billion of the poorest half of humanity saw their wealth decline by 11%. New billionaires were created every two days between 2017 and 2018, while every day 1000 people die because of lack of access to basic, affordable health care. And just last month AfriAsia Bank reported that 3,000 of South Africa’s riches billionaires live in the Paarl, Stellenbosch Franschhoek triangle, amidst some of our country’s worst poverty. And South Africa is today the most unequal society on earth. Essa and Dullah would have been outraged.

In January 2017 the United States and the world witnessed a spectacle many were convinced they would never see, and all over the world misogynists and homophobes of every stripe, creed and colour; white supremacists and unashamed racists from New Nazi’s in Europe to revived apartheid defenders in South Africa and new apartheid creators in Israel arise emboldened. Predatory capitalists, worshippers of money and destroyers of the Earth have rejuvenated joy; war mongers and the makers of drones, cluster bombs, barrel bombs, land mines and all kinds of deadly chemical weapons rejoice in the temples of profiteering as they see their fortunes and stocks rise even higher this year.

This is a world shaken by deadly convulsions.

I am not even speaking of the death toll of hundreds of thousands in the terrifying, endless wars in Syria, Yemen, Iraq, Afghanistan and at least three other Muslim countries caused by an unquenchable thirst for oil, hunger for power and senseless Islamophobia; of the millions of refugees from North Africa, Syria and other war-torn and economically devastated places. Neither am I speaking of the more than 10,000 refugee children who have gone missing on the borders of European countries or even inside those countries where the hostile systems put in place there have exacerbated their refugee situation and buried their plight under mountains of xenophobic hate disguised as bureaucratic red tape, and drowned their calls for compassion in the battle cries of a renewed, racist, European Christian nationalism.

In the context of the ongoing struggles for freedom, justice and peace – in Africa and the Middle East (think of the incredibly brave young people of Sudan); of LGBTQI persons and women under serious physical, political, and spiritual attack; of indigenous communities to preserve or regain a way of life that would be life-giving to all of creation, or Palestinians who in their struggles for justice, freedom and dignity have become the measure of our sense of moral and political responsibility at this point in our history; of those peacemakers  who have the courage to stand up against the greed and callousness of warmongers, whether they are in corporate board rooms or political chambers, in scientific laboratories or presidential offices – our mortal enemy is still the lack of integrity, decency, honesty and courage in our politics and in the workings of our societies.

III

There is much to critique about the policies of our government, the failure to execute properly those quite excellent policies we do have, and the tragic ways in which our democratic experiment has lost its way. Those who have followed my work, not only in the apartheid years but since 1994, will know my strong feelings about justice and injustice, about the widening, scandalous, and dangerous gap between rich and poor – one of the greatest challenges this country is facing, and still seems to be ignoring – about the failure of the rightful redistribution of land, wealth and power. My concerns about the uncritical, unwise haste with which we embraced neo-liberal capitalism have deepened. So has my distress at our captured reconciliation process, our hijacked revolution and our crippled transformation. And as responsible citizens we should engage in robust, honest public discourse and action on these and other crucial matters.

But one of the things I am both grateful for and proud of is some of the wise choices we have made in foreign policy, and central to them all is our unwavering demand and support for Palestinian freedom, Palestinian self-determination, Palestinian dignity, and the Palestinian right of return. And we have been upfront, honest and clear about this matter from the beginning of this new era.

Recently, I have been revisiting the now-famous conversation between President Nelson Mandela and American TV host Ted Koppel, at Koppel’s Town Hall meeting with Mr. Mandela in 1990 in New York City. On the question of Palestine, on which the discussion lingered, Mr. Mandela was clear and laid down a few fundamentals, applicable to much more than the Palestinian issue, and which have continued to guide our government on these matters. I will mention only two. First, and right off the bat, he touched on the wide expectation in the United States and other powerful countries, that when they make a decision for themselves, they expect all other countries to unquestioningly follow suit. “The one thing which some countries always get wrong,” Madiba said to him, in words that got some of the loudest applause of the evening, “is that they think that their enemies are our enemies. [But] our attitude to that country is determined by that country’s attitude to our struggle.” That means that we are guided by principles of justice, freedom, dignity and solidarity. No matter what your attitude is to these things: for us, they are inestimable values, cardinal to our politics and central to our existence as a dignified people. That also means that we are as committed to the liberation of Palestine as we are to the liberation of South Africa.

Secondly, Madiba made clear, in words that remind me so much of Dullah’s insistence that principles matter, “For anybody who changes their principles depending on whom they are speaking with, that is not a person who can be a leader of their nation.” Those are words our political leaders should earnestly take to heart. When Ted Koppel, eloquent and clever TV host, just sat there looking at him, clearly not used to such a demonstration of the true meaning of leadership, global politics and the power of the powerless, Madiba smiled and said: “I don’t know if I have paralysed you …” It brought the house down.

But the wit of Nelson Mandela, the stupefication of his famous host, the laughter and applause from the audience must not distract our attention from the valuable lessons Madiba was teaching the world; lessons which he hoped would continue to be embraced by South Africa, its government and its people. Fundamentally, Mandela was warning against the wet-finger-in-the-wind politics so prevalent now across the world. In the times in which we live some things have become distressingly clear and even more distressingly common: diplomacy has been replaced by blackmail, negotiations by threats, the politics of decency and integrity by the politics of expediency and vulgarity. What Mandela hoped our country would sustain, and what our government would practice, not incidentally but as a matter of principle, is the real art of diplomacy: the diplomacy of solidarity, decency, honesty, and integrity, guided by principled leadership.

But this is true not only for Palestine. This is true for what has become known as the policies of regime-change that have been intensified so much over the last twenty years or so, and that continue to have such disastrous consequences across the world. These are policies that, as a friend of mine has once put it, have been the epitome of “catastrophic success”: Afghanistan and Iraq, Libya and Somalia, Honduras and Guatemala, and now Venezuela. And increasingly, what has been started in Iran in 1953 by the US and the UK, we see now once again threatening Iran in 2019.

When no fewer than sixty countries, including those in the European Union, jumped when Mr. Trump cracked the whip on his actions against Venezuela, South Africa was one of those who remained firm, steadfastly standing by what Madiba had taught us. Now that the hasty embrace of Juan Guaido has become so toxic, and those countries are looking for ways to make a retreat, South Africa, in this regard, and 40,000 Venezuelan deaths later, has nothing to be ashamed of. That is the diplomacy of integrity, decency, and solidarity. And that should make us proudly South African.

Essa and Dullah would have rejoiced. And like me, they would hope that the current initiatives on Venezuela in Oslo would not turn out to be another useless Oslo Peace Accord that has brought nothing but further disaster for occupied Palestine, even while we know that that particular political vulgarity known as “The Deal of the Century” is even worse. When in 1994, South Africa announced that our foreign policy would be based on human rights and include recognition of the principles of Ubuntu, there were those who scoffed, accusing us of a kind of African naïvité, out of place in the harsh realities of this world.

They may now think they were right, but not because we were wrong. And look where that mindless cynicism has taken the world: foreign policies characterised by bullying instead of respectful negotiation; forceful capitulation instead of common understanding; submission instead of equal partnership; reckless lawlessness instead of respect for international law. Rabid ethnic and religious nationalism instead of inclusive global security, and xenophobic rage instead of an understanding of our common humanity. Imperialist expansionism instead of peaceful co-existence; destructive, unbridled neo-liberal capitalist exploitation instead of planetary security; internationalised thuggery instead of the promotion and protection of human rights, and nationalistic vanity instead of global servanthood. It is a form of international political vandalism.

Our world, in the grip of frightening imperial arrogance and hubris, is a world in terrible upheaval. In this world, Du Bois’ questions and Madiba’s wisdom call to us with a fierce urgency that is inescapable and inescapably personal: in the face of lies and deceit, of insult and brute force, of despising and detraction: where is our integrity and honesty? What does it mean to be decent and courageous? In other words, what does it mean to be truly human? Neither Mandela, nor Du Bois will let go of us.

IV

Du Bois had lived his life in times that were no less times of terrible upheaval than ours today. He had been fighting for justice, freedom and equality for African-Americans all his life. It was life’s bitter experience, and life’s infinite founts of wisdom gained by the oppressed, not philosophical idleness that prompted these questions. He wrote these words in 1957, but recall the times: racial injustice, mindless oppression, endless humiliation, systemic discrimination, lynchings and gratuitous violence of a viciousness that stuns the mind. It is time for us to return to those questions, to imprint Mandela’s wisdom on our hearts and minds, as Essa and Dullah tried to do.

Essa and Dullah are no longer with us. But the struggle for justice, equality, dignity and genuine freedom is far from over. We are facing old, ongoing, and new challenges. Apartheid, they tell us, is gone, but apartheid is everywhere. Reconciliation has been realised, they tell us, but reconciliation without repentance that is the restoration of justice and dignity is nothing more than political pietism, an empty clanging cymbal, a worthless slogan. The culture of corruption, the mindless self-indulgence of the rich and powerful, the self-destructive politics of instant gratification, delusion, and deception we now call state capture is simply the symptom of the deeper sickness that is the disdain for the poor, the deeper insult that is the betrayal of the trust of our people, the deeper malady that is the contempt for our sacrifices and our hopes. We have so much work to do still. Perhaps, one fervently hopes, the “new dawn” President Ramaphosa has promised will take us closer to those goals for which so many have struggled, sacrificed and died.

It is said that no one is indispensable. And in the long curve of life and the cycles of endings and new beginnings, I suppose that is true. But I believe it is only true if there is no example to follow, no life to emulate, no star to guide, no legacy to honour. So in the long run we may find that Dullah and Essa too, are not indispensable. But what remains truer than this is the fact that they are and always will be unforgettable. What they have been is what they will always be in our hearts, and what they have done will always guide us toward what it is that we should do, as long as this struggle continues.

What counts is what we do in the moment that we are alive, and that is what makes us indispensable. Indispensable for the moment in which we live, for no one can do for us what we have to do for ourselves. No one can make us believe about ourselves what we know to be untrue, so no one can tell us we cannot be strong, we cannot be courageous, we cannot be faithful to our cause, to our people, and to our God. No one can make us forget that as long as there is pain and suffering, rejection and exclusion, injustice and violence inflicted upon the vulnerable, there is something to fight for. And no one can make us forget what we are called to do, in this moment of our times, and that makes us indispensable. This is what joins indispensability to unforgettability.

So in times of our greatest distress, of our deepest disappointments, of our darkest bewilderments, when we feel the helplessness of our own dispensability, we remember Essa and Dullah, and let them inspire us, remind us of who they were and what we have pledged ourselves to be. That is what makes them unforgettable and indispensable. What makes them unforgettable and indispensable is that they remind us that we too, can be as indispensable and we will be as unforgettable.

In these ongoing struggles, we must, as Charles Villa-Vicencio called them, “the restless presence” in the life of the nation. We must not make the imperfect our yardstick, nor the mediocre our consolation. We must not measure our progress by the comfort of the rich, but by the character of the justice we do to the poor and vulnerable. Judgement on our walk to our God-ordained destiny as a people must not be taken from the privileged and pampered circles of the powerful, but from the powerless, the voiceless and the vulnerable. The authority with which we rule in this country must not be derived from the approval of the mighty and the boastful, but must rest upon the hopes of the poor, the ones of unimpressive proportions, in whom the living God has invested the hope for life, and where our hope for life is to be found.

That is what it means to be proudly South African.

Allan Boesak

‘EDUCATION MATTERS’: Supper Club with Lyrice Trussel

Thursday 23 May, 18h30 at the District Six Museum Homecoming Centre promises to be an evening of thoughtful conversation and great food!

Strong views on education and other matters that are important to our country on a macro-level, and to her community on a micro-level, is what characterises  our May Supper Club guest, Lyrice Trussel. lyrice-trussel-static

Educator, subject advisor, curriculum specialist and outspoken practitioner, Lyrice’s contributions to the broad education debates come from her consistently practicing what she preaches for more than three decades.

Join the District Six Museum Supper Club movement, which is geared towards developing our collective listening and problem-solving skills. Where we are able to explore new and different views respectfully, in a positive environment. Let’s listen, let’s talk, let’s break bread and remain engaged in matters that affect us all and that can make a difference to the quality of our evolving and sometimes flailing transformation.

For those observing Ramadaan, a quiet place for breaking fast at Iftar will be made available before the start of Supper Club. Dates will also be provided.

 

Thursday 23 May 2019

18h00 – 20h30

District Six Museum Homecoming Centre

15 Buitenkant Street

Bookings / enquiries: Matthew Nissen: 021 4667200 / researcher@districtsix.co.za

OR

https://www.quicket.co.za/events/73494-district-six-museum-supper-club-with-lyrice-trussel/

 

 

 

FRANK TALK Dialogue: ‘The Importance of Addressing the Land Issue Urgently’

Join the District Six Museum and the Steve Biko Foundation in this round-table discussion on Thursday 9 May from 6.00 – 8.30pm- one day after the country’s sixth national democratic elections. The venue for this discussion will be the District Six Museum’s Homecoming Centre, 15A Buitenkant Street, Cape Town.land-dialogue-animated

Twenty five years into democracy, the land question remains a burning issue in the South African political landscape.

Following a motion raised by the Economic Freedom Fighters (EFF) last year in Parliament for Section 25 of the Constitution to be amended to allow the expropriation of land without compensation for equal redistribution, President Cyril Ramaphosa committed to land expropriation without compensation, provided it doesn’t undermine the economy and impact on food production and security.

Since the end of Apartheid in 1994, the ANC has followed a “willing-seller, willing-buyer” model whereby the government buys white-owned farms for redistribution to Black people. However, this approach has failed and delayed the process of equally redistributing land in South Africa. The majority of South Africans continue to express their disquiet about the slowness and the resulting triple challenge of poverty, unemployment and inequality. The government has since scrapped this policy and introduced the land expropriation bill to fast-track the process of land redistribution.

The land question remains largely a contentious issue in South African politics. While some argue for a fast-tracking of the process of redistributing land, others argue that the acceleration of land redistribution needs to balance the urgency of social redress with sustainable land usage and food security. However, there is no argument that a way has to be found to redistribute and to restitute the land to those who were forcibly dispossessed of it.

The proposed FrankTalk dialogue will closely examine why it is imperative for the nation to address the land issue with urgency.

FREEDOM DAY @DISTRICT SIX MUSEUM with EMPATHEATRE

Freedom Day at District Six MuseumEMPATHEATRE

with Empatheater presenting BOXES

Saturday 27 April 2019: 11h00

 

BOXES, a one-act play

Devised and written by Neil Coppen (Olive Schreiner Award for Drama 2019; Standard Bank Young Artist for Drama 2011)

Co-written by Ameera Conrad (The Fall) in collaboration with journalist Daneel Knoetze (GroundUp)

Performed by Quanita Adams (Binnelanders; At her Feet)& Mark Elderkin (Tali’s Wedding Diary; Shakespeare in Love)

Produced by Empatheatre Ltd.

 BOXES is a thirty minute social-justice theatre project devised by award-winning theatre-makers Neil Coppen and Ameera Conrad, journalist Daneel Knoetze and performers Quanita Adams and Mark Elderkin. The project draws from a range of research-based, verbatim and documentary theatre methodologies to explore a myriad of perspectives and insights into urban land justice issues occurring across the City of Cape Town.

The play’s central narrative focuses around a young Cape Town couple: Kaye (Quanita Adams) and Lawrence (Mark Elderkin) who have recently moved to the inner-city and find their preparations for a house-warming dinner derailed when Lawrence announces that he has accepted a job offer to design a state-of-the art residential development in lower Woodstock. When it is discovered that local residents will be evicted from their neighbourhood to make room for the development, Kaye begins to probe the repercussions of her partner’s latest venture. As Kaye and Lawrence battle it out, we learn of Kaye’s interactions with her Aunt Sumaya in the Bo Kaap, who due to rising rates is having to sell up her family home and has been inspired to return to her activist roots.
As Kaye and Lawrence attempt to arrive at some sort of a resolve before the arrival of their dinner guests, audiences encounter a myriad of characters including property developers, politicians, residents and whistle-blowers whose lives are impacted, for better or worse, by the gentrification trends sweeping across the city and suburbs.

Over the course of four short scenes, Boxes probes the legacy of apartheid spatial planning and forced removals, examining notions of ‘development’ and ‘progress’, by interrogating the question: Who is really benefitting from all this so-called progress?

The play forms part of a wider Open Society Foundation project which connects South African investigative journalists with theatre makers and artists. The project encourage creatives to interpret the work of investigative journalists with the hope that alternative dissemination strategies would enable these narratives to reach wider audiences in the lead up to the 2019 South African elections.

Boxes is an appropriate contribution on this day marking the country’s hard-won freedoms. The commemoration of Freedom Day is a reminder that there is much to celebrate, and as much to re-commit to each year as we move further and further away from that glorious day on 27 April 1994. On that day all South Africans went to the polls as equals for the first time.

In this year, 25 years later, the gains of the freedom struggle seem distant; some would even say that they have been destroyed. It is more important than ever to raise our collective awareness about the value of strengthening the solidarity of citizens across all sectors, so as to be empowered to defend our freedoms.

As part of the broad District Six community, we should think about:

  • What is the state of freedom in our country? To what extent do YOU feel free?
  • What has helped YOU to express and exercise your freedom?
  • What do we need to do to ensure that the hard-won freedoms are guaranteed for ourselves and future generations?
  • What role does REMEMBERING the past play in the protection of our freedoms?

 

 VENUE: District Six Museum Homecoming Centre

Districtsixmuseum

 ADDRESS: 15 Buitenkant Street

 TIME: 11h00, performance of BOXES starting at 12h00

  ENQUIRIES: 021 4667200

* * *

About the Theatre Company

The play is produced by Empatheatre, a Durban-based company founded by Neil Coppen, Mpume Mthombeni and Dylan McGarry. Empatheatre has been responsible for launching several social-justice theatrical projects over the last decade including Soil & Ash (focusing on rural communities facing pressure from coal-mining companies), Ulwembu (street-level drug addiction and harm reduction advocacy), The Last Country (female migration stories), Boxes (homelessness and urban land justice inequalities in the city of Cape Town) and Lalela ulwandle (an international  theatre project supporting sustainable transformative governance of the oceans). More recently the Empatheatre team has been invited to work internationally in New York, St Louis, Toronto, Fiji, Ghana and Namibia.

 

 

 

DISTRICT SIX or ZONNEBLOEM? Does it matter?

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Artist Haroon Gunn-Salie initiated an intervention to take down area signs indicating ‘Zonnebloem’

 

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‘Zonnebloem’ area sign replaced with sign indicating ‘District Six’

Replacing the name ‘District Six’ with the name ‘Zonnebloem’ after displacing the people and bulldozing their homes, represented a final step in erasing the memory of the area under Apartheid. The official name on the map remains as Zonnebloem, and as an area name it remains closely associated with that Apartheid erasure. Claiming the right to return residentially, reclaiming social spaces, street names and ultimately the name of the area, are all components of the process of holistic restitution and restorative justice.

Acting on the expressed desire of the former residents of District Six, particularly those who are members of the Seven Steps Club, the District Six Museum has made an application to the Provincial Government’s Geographic and Place Names Committee to have the historic name reinstated. In order for this to be considered, we need to demonstrate that there is substantial public support for this, and to this end the Museum has initiated a campaign aimed at testing whether its understanding of such opinion is correct. Opportunities for expressing themselves will also be created for those who do not support this initiative, so as to understand what their concerns are.

Most of the campaign will take place during April and May of this year, and will consist of:

  • Door-to-door canvassing, particularly in the District Six area
  • Letters to the newspaper, as well as articles and press releases
  • Press releases to radio stations
  • Letters to businesses, organisations and institutions such as schools and clinics, to solicit their support
  • Letters in support of this initiative can also be signed in the Museum’s bookshop and coffee shop

For more information about the campaign, to make suggestions or to offer support, please email Matthew Nissen at researcher@districtsix.co.za or call him on 021 4667200.